Australian
Screen

an NFSA website

Robbery Under Arms (1985)

play May contain names, images or voices of deceased Aboriginal and Torres Strait Islander people
Email a link to this page
To:
CC:
Subject:
Body:
clip
  • 1
  • 2
Sticking together education content clip 2

Original classification rating: PG. This clip chosen to be PG

Clip description

Warrigal (Tommy Lewis) is confronted with the reality of losing his 'brother’ Captain Starlight (Sam Neill) as the gang makes plans to escape to America. Meanwhile, the troopers are perfecting a killing machine to ambush the outlaws while Jim’s wife Jeannie (Susie Lindeman) has a premonition that if the outlaws carry out one more heist before they leave for America, her husband will be killed and she will be left a widow.

Curator’s notes

Tension mounts as the troopers devise more ways in which Captain Starlight and his gang will be captured dead or alive. For the bushrangers, there’s a growing foreboding that it’s all just a matter of time before they will be captured and hanged. The success of the film is that we really care about these outlaws and tremble for their fate. This is a part of the bushranger mythology: the underdog against the system, the battlers against the elites and the political and religious outsiders against the establishment.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows the activities of Captain Starlight (Sam Neill) and some of his bushranging gang as the police close in. Starlight asks his partner, Warrigal (Tommy Lewis), to escape with him to America. Warrigal charges Starlight with failing to understand his connection to country, but decides to go with him. Troopers are shown at target practice, and in the final scene Jim Marston (Christopher Cummins) explains to his wife that the gang must complete one last job.

Educational value points

  • This clip, from Robbery under Arms, represents a recent example of a unique Australian film genre, the bushranger film. This distinctive genre was established in Australia before the Hollywood western became popular. It was the most popular genre of film in Australia until 1912, when both New South Wales and Victoria banned bushranger films on the grounds that they made a mockery of the police and glorified outlaws. The ban was not lifted until the 1940s.
  • This clip is from an adaptation of the classic Australian novel and newspaper serial Robbery under Arms, written in the 1880s by Rolf Boldrewood, the pseudonym of Thomas Alexander Browne (1826–1915). The novel was popular and was recognised for its use of the first person and the inclusion of colloquial speech. Robbery under Arms was adapted for the theatre in 1890, and five times for cinema between 1907 and 1985.
  • The clip includes scenes portraying the life and times of bushrangers, characters who had a firm place in the popular national mythology. Many of the outlaws who flourished during the gold rushes in the mid-19th century were poor free Irish settlers. While bushrangers were greatly feared, some were also admired for their anti-authoritarianism, mainly by the poorer classes who resented the authoritarian colonial administration.
  • The argument that arises in this clip between Warrigal and Starlight touches on their equally strong concepts of place and country. Warrigal’s dramatic challenge to Starlight, ‘I belong here. Where do you belong?’ makes clear his affiliation to the country in which he lives. Starlight’s response, accompanied by an upsurge of sentimental music, reveals that he lives far from his home, as a colonist and a dispossessor.
  • This clip demonstrates some of the elements typical of the bushranger film genre. The police rehearsing their capture of the gang are portrayed as clinical and calculating, in contrast to the bushranging mates expressing their undying loyalty to one another in the preceding scene, and the seeming innocence of the tender family scene at the end.
  • The origin of the name ‘Captain Starlight’, which Boldrewood gave to his hero and which is used in this clip, is unknown. Some historians suggest that Starlight was named after a bushranger referred to by pioneer Australian poet Adam Lindsay Gordon, while others suggest that the characters of Starlight and his gang were based on known bushrangers, such as Ben Hall and Daniel Morgan.
  • Actor and musician Tom E ‘Tommy’ Lewis (1957–) plays Warrigal in this 1985 version of Robbery under Arms. Lewis first appeared on screen as Jimmie in The Chant of Jimmie Blacksmith (1977) and then appeared as Jackeroo in We of the Never Never (1981). In Yellow Fella (2005), the first Indigenous documentary selected to screen at the Cannes Film Festival, Lewis tells his own story. In 2006 he released an album of his own music, Sunshine after Rain.
  • Actor Sam Neill (1947–) came to international prominence for his starring roles in The Piano (1993) and Jurassic Park (1993) after an early leading role in My Brilliant Career (1979). In 1989 Neill won an Australian Film Institute Award for Best Actor in a Lead Role for Evil Angels (1988). In 2005 he won a Silver Logie for Most Outstanding Actor in a Television Drama Series for Jessica (2004). In 1993 he was made an Officer of the Order of the British Empire for services to acting.

Thanks to the generosity of the rights holders, we are able to offer Sticking together from the television program Robbery Under Arms as a high quality video download.

To play the downloadable video, you need QuickTime 7.0, VLC, or similar.

You must read and agree to the following terms and conditions before downloading the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

This clip is available in the following configurations:

File nameSizeQualitySuitability
robberyu2_pr.mp4 Large: 21.6MB High Optimised for full-screen display on a fast computer.
robberyu2_bb.mp4 Medium: 10.2MB Medium Can be displayed full screen. Also suitable for video iPods.

Right-click on the links above to download video files to your computer.

Thanks to the generosity of the rights holders, we are able to offer this clip in an embeddable format for personal or non-commercial educational use in full form on your own website or your own blog.

You must read and agree to the following terms and conditions before embedding the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

Copy and paste the following code into your own web page to embed this clip: