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Fashionista – John Macarthur (2003)

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'A leftover hippy' education content clip 1

Original classification rating: G. This clip chosen to be G

Clip description

There are many different sorts of stitches and many fibres apart from wool that can be knitted, such as silk, cotton and even possum fur.

Curator’s notes

Who would have thought that so many items can be knitted and with such a variety of stitches and different fibres? And whether it’s by machine or by hand, John’s work is always fresh and interesting. He’s an attractive person and Lee Lin Chin is obviously at ease with him as we discover yet another aspect of the world of fashion with Lee Lin Chin ready to try on everything in his shop.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows knitwear specialist John Macarthur in his Sydney shop and workroom as he describes taking knitting into new, more creative directions to interviewer Lee Lin Chin. He is filmed standing in front of stacks of knitwear and then seated at his knitting machine where he talks about discovering how to use graph paper to create patterns for the knitting machine. Rapid cuts show Macarthur putting different hats and then a scarf on Chin. The camera moves around and zooms in and out, and frequently shows images at an angle.

Educational value points

  • John Macarthur has helped to make the knitted garment part of the fashion industry, an unexpected development as during the 1980s handknitting largely went out of vogue in the Western world, being regarded as old-fashioned. Some of Macarthur’s handknitted garments, ready-made and made to order, have been featured in fashion magazines. From his Bondi showroom he produces garments that include sweaters, singlets, shorts and even bikinis.
  • Macarthur talks enthusiastically about the artistic and creative possibilities of the knitted garment. He is aware of the limitations of knit but is more interested in pushing the possibilities. His exuberant personality, communicated in the clip, helps to promote knit fabrics as legitimate fashion materials to the viewer.
  • Macarthur discusses the new technique he discovered for transferring artistic and decorative shapes and designs to knitted garments. He describes this moment of inspiration as almost ‘a religious experience’. He describes how, using graph paper, he plots his design using each square of the graph paper to denote a stitch. This design then provides a pattern for the knitting process. He demonstrates on his knitting machine how this design translates into practice.
  • The clip provides a detailed view of a hand-powered knitting machine. These machines are used to produce knit fabrics on a fixed bed of hooked needles. Pattern stitches can be selected by hand manipulation of the needles. A carriage or cam box, shown in the clip, is passed across the bed of needles, producing the needle movements required for each row. The fabric produced using a knitting machine has a more even texture than handknitted fabric.
  • Unusual natural fibres and novelty yarns, referred to in the clip, have produced a resurgence of interest in knitted fabrics in the 21st century, largely because of their increased availability and relatively low cost. Alpaca, angora and fine merino wool are now more widely available and exotic fibres such as silk, bamboo and even possum fur mixed with wool are becoming popular.
  • Fashionista is an SBS (Special Broadcasting Service) lifestyle television show and as such the clip combines information with entertainment. The hand-held camera weaves around Macarthur and Chin, sometimes at an angle, and at times it appears to eavesdrop on the conversation. At the end of the clip the interviewer takes on the role of model, and in a series of quick edits Macarthur drapes various hats and a scarf on her. A background jazz music track provides atmosphere.

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australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

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  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

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