Clip description
Gwennie (Muriel Steinbeck) is just one of the thousands of women who have joined the war effort – she works in a munitions factory putting trinitrotoluene, or TNT, into shells. She explains that in the last war women 'couldn’t do a lot’. When she heard that one in four factory workers had to be female, she joined up because everyone has someone in the army or navy … a brother, a husband, or a boyfriend.
This then segues into her boyfriend Bill’s story. The couple are seated in a restaurant as he tells her of his experience in the United States, which gave him an opportunity to tell New Yorkers just what the Australian Navy were doing to help win the war. Throughout both of these acted sequences, actuality footage is used to support their statements including footage of women working in war factories, women who have joined the services, and Australian naval ships in battle at sea.
Curator’s notes
Gwennie and her boyfriend Bill could be any young couple, and that’s precisely the reason their situation is used to illustrate how everyone can help fight the war. Muriel Steinbeck’s character used to work in a beauty parlour – a job no longer important (since all the beauty parlours have closed down) in the larger context of the war. She works in the munitions factory for two reasons – because women are now given opportunities to contribute in a way that women in the past weren’t; and, in her own words, because ‘it’s not much good having a boyfriend in destroyers if the navy hasn’t got enough shells to fire at the Japs’. Bill’s story is important for the overseas audiences as it reiterated that Australia, despite being a small nation, was participating in important ways.
This scripted scenario and staged scene is supported with actuality footage (noticeably more grainy) which was most likely shot by camera operators posted overseas by the Department of Information. Hall would have built his story around the available stock footage. The intention in combining the staged and actuality footage is to present an emotional 'truth’ with which the audience can empathise.