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Newsfront (1978)

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clip Redex Trials education content clip 1, 2

Original classification rating: PG. This clip chosen to be PG

Clip description

Cameraman Len Maguire (Bill Hunter) and assistant Chris (Chris Haywood) rush ahead of the entrants in the round Australia Redex Trials to capture footage. They set up at a dangerous corner to wait for the cars. When one crashes, the driver (Bruce Spence) voices his indignation.

Curator’s notes

A superb sequence, with editing and music establishing a sense of adventure and sheer fun, before raising the serious question about the ethics of journalism – specifically the question of non-interference.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows the first round of the Redex Reliability Car Trials held in Australia in 1953. The clip opens with black-and-white archival newsreel footage that shows cars leaving Moore Park in Sydney at the beginning of the race. The clip then cuts to the fictional film story and shows Cinetone’s camera operators, Len Maguire (Bill Hunter) and Christopher Hewitt (Chris Haywood), on the road covering the course. McGuire chooses a rugged stretch of road as the location to set up his camera to record footage and is soon rewarded when a car rounds a bend too quickly and rolls over.

Educational value points

  • Newsreels were a chief source of news prior to the introduction of television in 1956 and were shown in cinemas before the feature film. In the 1950s, Australian cinemas screened two newsreels before the feature film. One was either the locally produced Cinesound Review or Australian Movietone News and the other, an international edition of a British or American newsreel. In 1970, Cinesound and Movietone merged and began producing Australian Movie Magazine, the last edition of which was made in 1975.
  • A scene in the clip illustrates an ethical dilemma faced by the media. So that he can obtain dramatic footage, Maguire chooses not to warn the Redex competitors about the bend in the road. 'Codding’ was the term given to the practice of creating or enhancing news to get a good story. The practice was unethical, but newsreel companies were more interested in entertaining audiences than being strictly accurate. While today the media is seen to have a responsibility to be fair and accurate, the extent to which it manipulates news to shape the public’s view of the world is evidenced in the number of complaints made to regulating bodies.
  • The voice of a newsreel narrator is re-created by actor John Dease, playing the part of Cinetone’s narrator. His style of narration is closely based on Movietone and Cinesound narrations. Newsreel narrators and radio newsreaders and announcers were expected to adopt a 'cultivated’ Australian–English or English accent, based on the accent of announcers working for the British Broadcasting Corporation (BBC). Dease’s narration is used to great effect in this clip to make a seamless transition from the archival newsreel footage to the fictional story.
  • The Redex Reliability Car Trials are shown through archival and re-created film footage. The Redex trials, which ran from 1953 to 1955, were an around-Australia marathon designed to test standard cars driven at high velocity over some of the roughest terrain in the world. The 1953 trial shown in this clip covered 6,500 miles (10,460 km) and took the competitors from Sydney to Townsville, Alice Springs, Darwin, Adelaide, Melbourne and back to Sydney. The Redex company produced car motor products.
  • The first Redex trial, which lasted 14 days, has gone down in the annals of automotive history as one of the harshest long-distance motoring events ever run. The event was intended to be a reliability trial but soon turned into a road race when organisers decided that if cars finished on equal points then times would be used to determine placings. The trials were given wide media coverage through the print media and radio and they captured the public’s imagination. The participation of 'celebrities’ such as Jack 'Gelignite’ Murray and the inclusion of women contributed to the popularity of the trials.
  • The clip vividly illustrates how archival newsreel footage was seamlessly integrated into Newsfront. The film stands as a tribute to, and a historical record of, Australian newsreels and the people involved in their production. The restoration of Newsfront in the late 1990s inspired a collaboration between the National Film and Sound Archive (NFSA), Kodak Entertainment Imaging Group and Atlab Australia and they then embarked on a project to restore a further 50 high-quality release prints of Australian films produced during 1955–92.
  • Newsreels have great historical significance. They provide the only audiovisual depiction of major events prior to the introduction of television. In 1988 the National Film and Sound Archive (NFSA) launched 'Operation Newsreel’, a 5-year project designed to collect and preserve Cinesound and Movietone newsreels. The NFSA currently has 20,000 newsreel stories in its collection, which cover all major events in Australian history, entertainment and sport from 1929 to 1975.
  • Newsfront launched the career of director Phillip Noyce, who directed and co-wrote this his second feature film in 1978. It was a commercial and critical success. An acclaimed filmmaker, Noyce has worked both in Australia and overseas, and among the films to his credit are Rabbit-Proof Fence (2002), Patriot Games (1992), Dead Calm (1989) and Heatwave (1982). Newsfront also helped establish actors such as Bill Hunter, Bryan Brown, Wendy Hughes and Chris Haywood.

A newsreel entitled ‘Round Australia – Redex Trial Begins’ plays on screen.
Newsreel narrator Cars, cars and more cars as 30,000 people pack Moore Park, Sydney, for the start of the first Round Australia Redex Reliability Car Trial. One hundred and ninety-two vehicles cross the starting line at two-minute intervals on the first leg of the longest, toughest trial in the world. The Cinetone Holden film unit with cameramen Len Maguire and Christopher Hewitt will cover the entire course and you’ll be seeing all the action on this screen over the coming weeks.

Chris and Len overtake a carload of female race competitors.
Chris Jesus Christ!
Len What?
Chris Well, the way we’ve got to keep ahead of them all the time, why don’t we enter the bloody thing ourselves? We’ll probably win the prize.
Len Christopher, if our lives were ruled by logic, we’d all be in real estate.
Len pats the dashboard of his car.
Len There, there.

Len and Chris drive in the dark. It is now daytime and Chris yawns. They drive through a town and children run after their car waving flags.
Chris Good morning. How are you? Yee hoo.

Driving down a winding dirt road, Chris takes a corner too fast and almost loses control of the car. The car comes to an abrupt halt. Len gets out and looks at the road behind them and sees a ditch running across the road.
Len All right Christopher, this is the one. Get it set up will you?

One of the cars in the race is coming down the dirt country road. Len and Chris have set up their camera nearby and are filming the race. They see the car coming down the road and they look at each other knowing that the car will likely lose control on the dangerous corner. The car overturns and Chris runs over to help.
Len Oh, shit!
Chris Blimey … Are you alright?
Len You alright, mate?
The driver gets out and dusts the dirt from his clothes.
Driver You bloody bastards! You bloody bastard! You knew it was there. You could’ve warned us!
Len Yeah, I’m sorry mate.
Driver I oughta knock your bloody block off!

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australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

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  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

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ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

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