Original classification rating: M.
This clip chosen to be PG
Clip description
After her father’s death, his friend Tom Riley (Reg Lye) tells Jessica Simmonds (Liz Alexander) that he was murdered. In the pub, he explains the similarity to the disappearance of heiress Juanita Nielsen.
Curator’s notes
The mention of Juanita Nielsen makes explicit the inspiration for the movie. Her disappearance in 1975 was a major scandal in Sydney and has never been solved. Jessica is thought to be partly modelled on her character.
Teacher’s notes
provided by
This clip shows Tom Riley (Reg Lye) and Jessica Simmonds (Liz Alexander) sitting in Jessica’s late father’s house, discussing his death. Tom exhorts the spirit of Jessica’s father to 'come back and haunt the murdering bastards’. At the mention of murder the camera focuses on Jessica’s shocked face. They leave the building despite the presence of several threatening men outside and continue their discussion, including observations about the disappearance of real-life figure Juanita Nielsen, in a pub. A number of other men, whom Jessica regards with suspicion, stand around drinking.
Educational value points
- This clip is from The Killing of Angel Street, a highly regarded example of a 1970s Australian political thriller. The film, made in 1981, uses techniques typical of the genre to intensify suspense. The way the camera lingers on the men in the pub creates unease and suggests that any of them could be involved in the death of Jessica’s father or the disappearance of Juanita Nielsen. The script delays the revelations about Nielsen, creating menace and intensifying anticipation. The Killing of Angel Street received an Honourable Mention at the 1982 Berlin Film Festival.
- The real-life disappearance of Juanita Nielsen is integrated into the film’s plot. Juanita Nielsen was last seen in 1975 at Kings Cross, Sydney, where she had been involved in a protest against the demolition and redevelopment of Victoria Street and it seems likely that she was murdered to be silenced. There are many parallels between the film’s story and Nielson’s, although the action here is set in Angel Street in Balmain, an inner-city harbourside suburb of Sydney.
- The clip hints at the passionate feelings that conservation issues can arouse. Australia, as a relatively new nation, was slow to value its own history and recognise the importance of keeping that physical history intact. In most Australian states and territories, legislation to protect buildings or environments classified as 'historic’ only began to be passed in the 1970s, when a significant proportion of potential national heritage buildings had already been demolished to accommodate increasing urban density and the demand for new commercial space. The viewpoints of developers seeking financial gain clashed with those of the local community, activists and unions.
- While events such as Juanita Nielsen’s disappearance and the fictional murder of Jessica’s father are rare, extreme emotions have been, and still are, inspired by the need to preserve history for future generations. In recent years there has been heated debate about the need to preserve mid-20th-century buildings, such as fibro homes, whose value as cultural capital is only just being appreciated.
- The Killing of Angel Street was directed by Donald Crombie (1942–). Crombie is well known as a writer and director and has been one of Australia’s most prolific filmmakers. He has written, directed or produced more than 40 feature films, television movies, miniseries and documentaries. These have included Caddie (1976), Playing Beattie Bow (1986), Flipper (2005) and McLeod’s Daughters (2001). He has held leadership positions with the Australian Screen Directors Association and the Australian Writers’ Guild. In 2006 he was Head of Directing at the Australian Film, Television and Radio School.
This clip starts approximately 31 minutes into the feature.
Tom and Jessica are sitting opposite each inside the house.
Tom Riley You see girl, when you get to be your dad’s age, all your old mates have either moved away or dead. So, you have to put up with what’s left. Your daddy, he put up with me.
Jessica Simmonds I’m sure it was more than that.
Tom Boy, I hope he comes back to haunt the bastards. Come back and haunt them Simmo, scare the shit out of the murdering bastards!
Jessica Why did you say murdering?
Tom ‘Cause that’s what is was girl. You can’t start a fire with dead wiring. I was with your dad that afternoon. I was having a snooze, and all of a sudden, crash … someone smashed the fuse box on the porch. It was about … four o’clock. You can’t start a fire with dead wiring.
Jessica Have you told the police?
Tom The police did the investigation, girl. The police were working with them, hand in glove.
Jessica I can’t believe they’d actually commit murder.
Tom It’s a lovely country, the sun’s always shining and things like that don’t happen. But they’ll kill you too if you stand in their way. Come on girl, let’s get out of here.
They walk outside. There are two men waiting on the street corner. Tom signals to the smashed fuse box.
Tom Up there on the left.
They continue to walk. Jessica notices a sign that reads: ‘First Juanita … Now Simmo … We do not forget.
Jessica Tommy, who… who is Juanita?
Tom Juanita Nielsen. You must have been in Europe. (to the men) It’s lovely weather we’re having, isn’t it? Beautiful days we’ve had, haven’t we?
Tom and Jessica are sitting in a pub, with horse racing commentary in the background. Tom speaks softly, careful not to let anyone else hear.
Tom Yes now, this Juanita, she was with us, but not what you might say. She was an heiress, and she had this bug about old buildings … you know — conservation. When the developers … when the developers started to buy up property and kick the folks out, she started this little newspaper called Now. And by … by Jesus she told it just as it is. The scandals about the developers — they’re thugs. The crooked coppers. But then one day, she just disappeared, never seen to this day.
Jessica And nobody knows?
Tom Everybody knows. But nothing can be proved …
Thanks to the generosity of the rights holders, we are able to offer 'Who's Juanita Nielsen?' from the feature film The Killing of Angel Street as a high quality video download.
To play the downloadable video, you need QuickTime 7.0, VLC, or similar.
You must read and agree to the following terms and conditions before downloading the clip:
australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.
All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.
When you access australianscreen you agree that:
- You may retrieve materials for information only.
- You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
- You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
- The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.
All other rights reserved.
ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.
This clip is available in the following configurations:
File name | Size | Quality | Suitability |
killingo2_pr.mp4
|
Large: 21.6MB |
High |
Optimised for full-screen display on a fast computer. |
killingo2_bb.mp4
|
Medium: 10.2MB |
Medium |
Can be displayed full screen. Also suitable for video iPods. |
Right-click on the links above to download video files to your computer.
Thanks to the generosity of the rights holders, we are able to offer this clip in an embeddable format for personal or non-commercial educational use in full form on your own website or your own blog.
You must read and agree to the following terms and conditions before embedding the clip:
australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.
All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.
When you access australianscreen you agree that:
- You may retrieve materials for information only.
- You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
- You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
- The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.
All other rights reserved.
ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.
Copy and paste the following code into your own web page to embed this clip: