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Karli Jalangu – Boomerang Today (2004)

play May contain names, images or voices of deceased Aboriginal and Torres Strait Islander people
clip Number seven boomerang education content clip 1

This clip chosen to be G

Clip description

Four senior tribesmen introduce themselves and talk about going to look for a tree suitable for a number seven boomerang. Two of the Elders begin to chop down a tree they have chosen for making a number seven boomerang. They will use the boomerang to hit a kangaroo if they have no rifle.

Curator’s notes

by Romaine Moreton

The making of a number seven boomerang, like many Indigenous artefacts, is a time-consuming process, often shared amongst the many people involved. We are on location in the area in which the senior tribesmen will select the right material from which to carve a number seven boomerang.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows four senior Warlpiri and Anmatyerr men from Australia’s central desert region. Teddy Egan Jangala introduces the Elders and describes their relationships with each other in the context of their country. The men then set out to find a tree from which to make a 'number seven’ or 'killer’ boomerang. Two of the men use axes and a crowbar to remove wood and soil from the lower trunk and root of a small tree. The men speak in Warlpiri and Anmatyerr languages accompanied by English subtitles.

Educational value points

  • Making a number seven boomerang is a complex task and the clip shows the beginning of the four days’ work required to make one boomerang. These types of boomerang are made from the trunk and roots of the dogwood (Acacia coriacea) or the mulga (Acacia aneura) tree. These hardy evergreen trees grow in the arid inland areas of Australia, and are also used to make spearheads and digging sticks.
  • The number seven boomerang is shaped like a figure 7 and is also called 'killer’ or 'hooked’ boomerang. It is a non-returning boomerang and like all killer boomerangs is a formidable weapon. Non-returning boomerangs are much heavier and larger than returning boomerangs and have a far less pronounced curve. When thrown parallel to the ground with both arms for maximum power they fly with great velocity and spin. They can easily bring down a kangaroo.
  • The men use storytelling and the repetition of information as effective teaching methods to pass on traditional knowledge and skills in the same way that generations of Elders have done before them.
  • The men in the clip refer to themselves and others by their skin names. The Warlpiri and Anmatyerr people use a kinship system that determines relationships, with associated roles and obligations. This system divides people into eight categories and refers to skin groups, from which skin names are derived.
  • Karli Jalangu is part of a documentary series produced by Central Australia Aboriginal Media Association (CAAMA) Productions. The program is recorded in local languages, focuses on local Aboriginal cultural life and aims to preserve traditional Aboriginal knowledge. It is broadcast by Imparja Television across central Australia.

This clip starts approximately 2 minutes into the documentary.

This clip shows four senior Warlpiri and Anmatyerr men from Australia’s central desert region. Teddy Egan Jangala introduces the Elders and describes their relationships with each other in the context of their country. The men then set out to find a tree from which to make a 'number seven’ or 'killer’ boomerang. Two of the men use axes and a crowbar to remove wood and soil from the lower trunk and root of a small tree. The men speak in Warlpiri and Anmatyerr languages accompanied by English subtitles.

Four men sit together, talking.
Man 1 (gesturing to the man on his left) This one here is Japaljarri. This one Japaljarri is mine again. (Gesturing to the man on his right.) This one is Japanangka.

Man 2 From Yuelamu.

Man 1 Yes, my brother again. Japanangka from Yuelamu.

Man 2 Yeah he’s from Yuelamu, belonging to Honey ant dreaming.

Man 1 I am Jangala from fire dreaming place.

Man 2 I am Jampijinpa.

Man 1 Ah Jampijinpa. (Pointing off-camera into the distance.) Over there is Jupurrula. Uncle is sitting. This country. This country. This country. This belongs to the Rubuntja family.

Scene changes to a general view of the surrounding bush with a kangaroo grazing in the middle distance.
Man That’s why our in-laws have come here to look for it. Us two father and son sitting down by the fire in the wind break. They went for number seven boomerang. Then they will bring it to me.

A man chops at a tree with an axe as another encourages him. He sits down on the ground and uncovers the root and begins hacking at it.
Man Good. That’s the way. Good shaped number seven boomerang we’re chopping. So we can take it back to camp. Yes. That’s the way. That’s the number seven boomerang now. That’s it, it’s really straight. We’ll dig it like this.

Man 2 This one here?

Man 1 Yes. Like this. Number seven boomerang.

Man 2 Yes.

Man 1 That’s it.

Man 2 Cut it here.

Man 1 Number seven boomerang.

They dig and prise at the root of the tree.
Man 2 That’s him.

Man 1 Yes boomerangs are for hunting. Hunting for Kangaroos. To hit Kangaroos. To hit the kangaroo if we have no rifle.