Australian
Screen

an NFSA website

Green Tea and Cherry Ripe (1989)

A video which normally appears on this page did not load because the Flash plug-in was not found on your computer. You can download and install the free Flash plug-in then view the video. Or you can view the same video as a downloadable MP4 file without installing the Flash plug-in.

Email a link to this page
To:
CC:
Subject:
Body:
clip The horrors of Hiroshima education content clip 2, 3

This clip chosen to be G

Clip description

Masako Clarke describes her memories of leaving Hiroshima on a train in the early hours of 6 August 1945, the morning that the atom bomb was dropped on the city. Clarke recalls hearing a loud sound and seeing a white light from her carriage as it left the city. A week later, she went back to see her house but there were no houses left. As she talks of returning to the city, images of flowers appear on the screen. The camera comes back to her as she says 'whatever the problem is, we mustn’t go to war’. Then she recounts seeing people dying in the streets and the horrors that she witnessed.

Curator’s notes

This clip is a strong example of the power of testimony in conveying the big picture through small, individual stories. Clarke remembers witnessing survivors of the atomic blasts in Hiroshima as if it happened only yesterday. The pain and horror of the images in her mind are matched by the expression on her face, which visibly carries a great emotional weight.

As Clarke recounts her story, Hoaas’s camera sits patiently, with little movement (a technique used throughout the film). Hoaas lets Clarke talk in her own time and doesn’t prompt her. This allows Clarke to narrate her story as it unfolded – beginning with the early morning train trip and ending a week later with witnessing the effects of the bomb. Hoaas’s choice to include still images of flowers leading up to Clarke’s most powerful moment works in counterpoint to the narration.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip from 1989 shows Masako Clarke recounting her experience of seeing the atomic bomb exploding over Hiroshima as she was leaving the city on a train, and returning to the city a week later. As she talks about seeing survivors, the camera switches from her face to show close-up images of flowers, including dahlias and roses. The camera returns to Clarke as she emphasises her opposition to war. She describes the horrific scenes she witnessed, including people injured by the bomb with maggots crawling under their skin. English subtitles are provided.

Educational value points

  • The clip graphically conveys the horrific experiences of people who survived the atomic bomb that was dropped on Hiroshima during the Second World War. Clarke recalls the human suffering she witnessed. Medical resources were grossly inadequate for assisting the survivors. Eventually, roughly half of the city’s population died or suffered long-term illness and disability from the intense heat of the explosion and the subsequent firestorm and from the radiation.
  • Most witnesses experienced the intense blinding white light of the explosion and then felt the heat from it, seconds before a huge wind blast. The heat and light generated by the energy released by the bomb were far stronger than any experience of conventional bombing. Clarke was extremely fortunate to survive the explosion and return to the ruins physically unscathed. However, 45 years afterwards she still has disturbing memories.
  • The whole city of Hiroshima, which is located on a river delta, was reduced to a 13-square-km ‘burnt-out plain’ by the atomic bomb. The explosion was so intense that it created storms that caused ‘black rain’ to fall on the burning city. Within 1.5-2 km of ‘ground zero’ every structure except for a few concrete buildings was destroyed. Up to 4 km away, most other buildings that survived the initial blast were subsequently destroyed by a firestorm.
  • The US decision to drop atomic bombs on Hiroshima and Nagasaki in August 1945 is still a controversial subject. Some believe that although the suffering caused by the bombing was horrific, there would have been an even greater number of casualties on both sides if the War had not been ended by the bombs. The USA had dropped the bombs following the rejection by Japan on 28 July 1945 of the unconditional surrender demanded by the Potsdam Declaration.
  • This clip provides graphic firsthand testimony of the horror of the atomic bombing of Hiroshima. More than 300,000 civilians were living and working in the city on the morning of 6 August 1945 when the bomb was detonated 1,900 feet (579 m) above them. An air-raid all-clear, recalled by Clarke, sounded, and people returned to the streets. Estimates of the people killed on the day and dying immediately afterwards range upwards from 78,000.
  • The film shows images of delicate beauty – dahlias and roses – in counterpoint to the horrifying images of suffering that Clarke’s words create in the mind of the viewer. This strategy focuses attention on her unmediated spoken testimony, but it also allows Clarke some privacy as she recalls the horrific scenes that she experienced in Hiroshima. The camera returns to her face as she speaks with passion of her vehement opposition to war.

Thanks to the generosity of the rights holders, we are able to offer The horrors of Hiroshima from the documentary Green Tea and Cherry Ripe as a high quality video download.

To play the downloadable video, you need QuickTime 7.0, VLC, or similar.

You must read and agree to the following terms and conditions before downloading the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

This clip is available in the following configurations:

File nameSizeQualitySuitability
greentea2_pr.mp4 Large: 19.7MB High Optimised for full-screen display on a fast computer.
greentea2_bb.mp4 Medium: 9.3MB Medium Can be displayed full screen. Also suitable for video iPods.

Right-click on the links above to download video files to your computer.

Thanks to the generosity of the rights holders, we are able to offer this clip in an embeddable format for personal or non-commercial educational use in full form on your own website or your own blog.

You must read and agree to the following terms and conditions before embedding the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

Copy and paste the following code into your own web page to embed this clip: