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Banners Held High (1956)

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May Day education content clip 1

This clip chosen to be G

Clip description

This clip begins with a survey of some of the workers who contribute to a broader labour movement, such as miners, boilermakers, tram drivers and conductors and wharfies. It then features a montage of colourful signs prepared for the May Day march by waterside workers, followed by footage of the parade marching through Sydney streets. Filmmaker Jock Levy provides the commentary throughout the clip.

Curator’s notes

The creation and display of trade union banners is a traditional part of the movement’s involvement in May Day celebrations. Waterside workers have been involved in the construction and painting of elaborate signage for the parade over many years.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This colour narrated clip from a 1956 documentary film produced by the Waterside Workers’ Federation (WWF) Film Unit focuses on Sydney’s May Day celebrations honouring the achievements of workers across the world. It shows men at work, banners being prepared for the May Day march and footage of the march itself, accompanied by rallying music. Political messages on signs celebrating socialism, unionism and peaceful coexistence frame the voice-over narration. Scenes of the march follow showing banners, marchers, a band and onlooking crowds.

Educational value points

  • May Day, or Labour Day, shown here in 1956 in Sydney, is still celebrated in Australia with parades that commemorate the worldwide fight by workers for improved working conditions. On 12 May 1856 building workers in Melbourne marched to celebrate achieving an 8-hour working day. An International Workers’ Day was declared on 1 May 1889. The first Australian May Day march was held in 1891 by striking shearers at Barcaldine in Queensland.
  • The political and social concerns of the labour movement in 1956 are represented in the posters and signs carried in the May Day march. The depiction of mushroom clouds and the opposition to Australia’s signing of the South-East Asia Treaty Organisation (SEATO) in 1954 indicate a widespread fear of nuclear war and militarism. Union support for the olympic spirit is indicated, with Australia preparing to host the games in Melbourne later that year.
  • The signs being prepared display the newer mural and poster styles adopted in the 1950s to convey messages about issues, but the carrying of banners in the May Day march reflects a long tradition in unionism going back to the 19th century. Marchers wear their union ribbons and march behind their union banners as a sign of the strength of their union and their commitment to the solidarity of unionism across the workforce.
  • The opening sequence celebrating the value of the ‘working man’, with no acknowledgement of working women, reflects a union culture that largely ignored issues affecting working women and tolerated inequalities of remuneration until the 1970s. Women had been recruited into men’s jobs across a range of industries, including heavy manufacturing, during the years of the Second World War, but from 1946 were redirected into the less skilled clothing, food processing and textile industries.
  • The Menzies government banned the May Day public holiday in 1941 and 1942, causing this union movement celebration to be moved from 1 May to the first Sunday in May, except in the Northern Territory and Queensland where a public Labour Day holiday occurs on the first Monday in May. All other states and the Australian Capital Territory now celebrate a Labour Day public holiday across dates in March and October to maintain a public holiday for the cause.
  • The clip is from Banners Held High, a film in celebration of the labour movement made by the WWF Film Unit for the May Day Committee of the New South Wales Trades and Labour Council. The narrator is Jock Levy, a former wharfie and one of the founders of the Film Unit in 1953. The Unit produced many films on subjects affecting workers, filmed from the viewpoint of the worker.

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australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

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