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Give Us This Day (1943)

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'An army always marches on its stomach' education content clip 1

This clip chosen to be G

Clip description

An injured soldier in the jungles of New Guinea struggles as he runs out of food. An aircraft drops food rations nearby. Meanwhile, back in Australia, two female volunteers package the emergency food parcels to be sent overseas. Back in New Guinea, three servicemen share a tin of emergency rations. One of them points out that ‘an army always marches on its stomach’. Another man imagines what a big juicy steak would be like.

Back in Australia, two men in a restaurant complain that they haven’t had a steak for six days. Their waitress gently notes that some of the troops stationed in New Guinea haven’t had a steak in six months, saying ‘if we go a little short, maybe they’ll get a break’.

Inside a parlour at the bar, another man complains about the food rationing and asks why should he have to go without. The bartender gives him an earful, pointing out that the English have been on hard rations for four years; that we have two armies to feed; and that the millions of people starving in Greece are lucky if they own a cat – because they can eat it.

Curator’s notes

This clip is from the beginning of the advertisement and illustrates the effective use of contrasting personal experiences of food, comparative scales of hunger and opposing perspectives on food rationing to draw out the argument for its introduction. The scenarios at home contain arguments where one person posits one perspective while the other person offers an alternative view. The argument that wins out, however, is the one which supports food rationing.

Hall uses close ups, emotive (staged) scenes of Australian troops in the field, and music to build connection with the audience.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows a series of linked dramatised vignettes that compare Australian attitudes towards food shortages during the Second World War. In the jungle a wounded soldier is shown receiving a food drop. Next, two women packing dehydrated food indicate they wouldn’t eat it. The third scene showing soldiers eating emergency rations is in contrast to a fourth scene of businessmen demanding a steak in an up-market restaurant. The final vignette shows men in a bar complaining about rationing while the barman reminds them of Australia’s obligations to others in wartime.

Educational value points

  • The film from which this clip is taken is an example of a war propaganda film directed at an Australian audience. From 1942 onwards, the Curtin Labor government’s Department of Information commissioned a series of short films from Australia’s leading film producers, including Ken Hall and Charles Chauvel, to bolster the civilian population’s commitment to producing war supplies, spending less, buying war bonds and consuming less food.
  • The imposition of food rationing was an essential component of the Curtin Labor government’s plan to fight what it called the 'battle of supply’ and in its 'All in!’ austerity campaign. By mid-1943 the ration of tea was 450 g per five weeks, sugar was rationed at 900 g and butter at 450 g a fortnight. In early 1944 meat was rationed at 900 g a week. Some of these amounts were later reduced. Rationing of beer was also introduced and, as seen in the clip, was highly unpopular.
  • Except for butter and milk, the rationing complained of by various characters in the clip was not particularly severe. In Britain, as the barman comments, rationing was much more stringent. Butter, sugar, meat, tea, margarine, cheese, rice, canned fruit, condensed milk, eggs and many other items were all rationed. At the time of the film’s production, the blockade of Britain by German submarines was at its height and shipping convoys supplying Britain did so at great risk.
  • As illustrated in the clip, Australia had a range of competing priorities for its food resources in 1943, the highest of which was the need to feed its own troops in New Guinea. It then had to maintain a reasonable dietary allocation for its civilian population. It also had responsibilities by contract and tradition to make available as much food as possible to Britain. Finally, it had entered into a formal undertaking to feed US forces in the south-west Pacific.
  • Women played an important part in Australia’s war effort, not least of which was the effort to produce, conserve and supply food. Not only did most women save food in the home, grow vegetables and keep chickens but also many worked in dehydrating plants, food-processing factories and on assembly lines packing rations, as shown in the clip. Some thousands also joined the Australian Women’s Land Army to grow and harvest crops.
  • The clip uses a mixture of actuality footage filmed on the Kokoda Trail by cinematographer Damian Parer (1912–44) and dramatisations by actors in the studio to convey its message that rationing was a necessity. The film’s tone is fairly didactic and while it may have had the desired effect on a 1940s audience, the histrionics and emotional background music of the first vignette, for example, would be rejected as heavy-handed by audiences today.
  • The persuasive appeal of the last vignette is heightened by the careful crafting of the dialogue. The barman counters antirationing arguments by pointing out how much worse things are in Britain and Greece, delivering the coup de grâce with the comment about cats. Calling the Greek famine into the argument was a fairly blatant piece of propaganda since the Allied blockade is thought to have been as much to blame for the famine as the German occupation.
  • Almost 1 million Australian men and women served during the Second World War. They fought against Germany and Italy in Europe, the Mediterranean and North Africa and against Japan in Malaya, Singapore, Rabaul, Ambon, Java, Timor, Borneo, New Guinea and Bougainville.

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