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In a 1995 interview with TV Eye magazine, the late Charles ‘Bud’ Tingwell identified ‘The Friendly Fellow’ as his favourite Homicide episode. It was written by Fred 'Cul’ Cullen, who also stepped in to guest star as Buddy when the actor they’d cast was no longer available. Cullen ended up winning 1973 Logie awards for both his script and his performance. Cullen later co-wrote The Man from Snowy River (1982).

Both Buddy and his relationship with Tingwell’s Inspector Lawson are memorable creations. Buddy is the 'friendly fellow’ of the title, a seasoned former safebreaker with a sense of humour, who Lawson admits to a colleague that he likes. The interactions between these two characters are jovial, comradely and self-aware as they knowingly play out their hands in a classic cop-crim game. Tingwell delivers a finely-tuned performance, combining sympathy and authority (see clip one).

Homicide was a long-running format drama series. As is common in series television, different writers wrote different episodes but followed guidelines that stipulated everything from the number of sets and guest characters, to the ratio of location versus studio footage, to a standard narrative structure that emphasised using the genre to explore character. In an early guideline document, script editor Terry Stapleton reassures would-be writers that ‘once the restrictions have been faced and recognised there is plenty of scope for the whole gamut of human emotions to be portrayed, and this is where the real worth of any successful series will be found.’

Cullen’s script makes creative use of the standard elements of the Homicide format and is strongly character-driven. There’s the usual teaser, during which the crime is committed, followed by the crime scene investigation and scenes where the detectives track down suspects. What’s interesting is that Buddy, the character who becomes the main focus of the episode and the police’s investigations, was not involved in the crime. As the police investigate, a parallel mission unfolds – Buddy’s quest to rescue the young friend he feels responsible for getting caught up in crime in the first place. This invites us into the perspectives of both pursuers and pursued. Homicide’s police are always the good guys and while not questioning their moral position, Cullen’s script creates a suspense and sympathy for Buddy that sees us wanting him to escape.

Buddy has some elements of the tragic hero, whose core character traits spark a sequence of events that bring about his downfall, and who cannot escape his past. Ultimately, Buddy’s fatal flaw is a belief in mateship and a code of loyalty that his criminal associates don’t share. Cullen delivers some poignant moments as Buddy watches his worldview collapse (see clip three).

Homicide screened on HSV7, later Channel Seven, and ran for a total of 509 episodes. The Friendly Fellow is episode 385, Homicide’s tenth all-film, colour episode. Episodes 1-375 were black-and-white and shot on a combination of film and video.