Australian
Screen

an NFSA website

Four Corners – French Connections (1985)

A video which normally appears on this page did not load because the Flash plug-in was not found on your computer. You can download and install the free Flash plug-in then view the video.

Email a link to this page
To:
CC:
Subject:
Body:
clip
  • 1
  • 2
Connecting the dots education content clip 1, 2

Original classification rating: PG. This clip chosen to be G

Clip description

A boys’ own moment of truth. A retired French secret service agent is willing to blow the whistle on the French Government and explain its connection to the Rainbow Warrior affair because there’s outrage in the French secret service that their government is prepared to wash its hands of the whole affair. The clandestine meeting takes place on one of the bridges over the Seine in Paris.

Curator’s notes

Every investigative journalist must dream of just such a moment. And it belongs here to the doyen of investigative journalists in Australia, Chris Masters. Despite not being allowed to show the deep throat’s face, it’s a wonderful example of how the filmmakers keep the drama alive by using an actor for the visual recreation with the actual agent’s voice.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows the re-enactment of part of a meeting in Paris between investigative journalist Chris Masters and a former French secret service agent, who explains why the link between the French Government and the sinking of the Greenpeace ship Rainbow Warrior was leaked. Masters, standing on a bridge and speaking to camera, describes the meeting. He waits for and then walks with a stand-in actor as a recording of the actual informant’s voice, subtitled in English, is played.

Educational value points

  • This clip is an example of investigative journalism at its best – the Four Corners team headed by Chris Masters scored an international scoop by identifying that the French Government was responsible for the bombing of the Rainbow Warrior. Just minutes before the Four Corners program went to air the evening news reported that the French secret service had been cleared by a French inquiry of any involvement in the bombing.
  • Three main elements add drama to the re-enactment of the meeting with the former agent: the setting (the clandestine nature of the meeting is juxtaposed with sightseers and pleasure craft); the language (Masters uses present tense to help build drama about the meeting to come) and the authenticity of the recorded voice (the operative, speaking in French, divulges that the two people arrested were French agents and that the bombing was therefore a political operation).
  • In the clip, the French secret service agent says that the link between the Direction Générale de la Sécurité Extérieure (DGSE) and the sabotaging of the Rainbow Warrior was leaked because of frustration at the way two agents involved in the sinking had seemingly been abandoned. Later in the program he says that there is an unwritten rule within the organisation: if you make a mistake you are on your own, but if not the 'company’ has an obligation to 'recover’ you.
  • The 'Turenge couple’ – French army Major Alain Mafart and Captain Dominique Prieur – were part of the seven-person team involved in Operation Satanic, and were viewed very differently by France and NZ. The French Government and opposition were united in their view that although the Government could be seen as culpable the individual officers were obeying orders and could not. In NZ they were criminals accountable to NZ justice.
  • This example of investigative journalism was successful because of the speed with which Four Corners reacted to the sinking of the Rainbow Warrior. Masters and producer Bruce Belsham were able to follow leads as they were being investigated by the NZ police. In Paris, where this clip was filmed, the Four Corners team found former secret service agents who were angry about the fate of their colleagues and who were willing to talk to the press.
  • Chris Masters (1948–) received a Logie Award, three Walkley Awards and a Gold Walkley for French Connections, the Four Corners report from which this clip was taken. His investigations helped precipitate official enquiries and consolidated his reputation as an investigative journalist. A version of the report was shown all over the world. Masters was awarded a Public Service Medal in 1999 and a Centenary Medal in 2002.

Thanks to the generosity of the rights holders, we are able to offer Connecting the dots from the television program Four Corners – French Connections as a high quality video download.

To play the downloadable video, you need QuickTime 7.0, VLC, or similar.

You must read and agree to the following terms and conditions before downloading the clip:

Downloadable Video – FOR EDUCATIONAL CRITICISM AND REVIEW PURPOSES ONLY

This clip is available for download for the limited purpose of criticism and review in an educational context. You must obtain permission from editorial@aso.gov.au for all other purposes for use of this material.

Terms & Conditions

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described here and elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions. ALL rights are reserved.

You must read and agree to the following terms and conditions before downloading this clip:

When you access ABC materials on australianscreen you agree that:

  1. You may download this clip to assist your information, criticism and review purposes in conjunction with viewing this website only;
  2. Downloading this clip for purposes other than criticism and review is Prohibited;
  3. Downloading for purposes other than non-commercial educational uses is Prohibited;
  4. Downloading this clip in association with any commercial purpose is Prohibited;

The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

This clip is available in the following configurations:

File nameSizeQualitySuitability
fcfrench2_pr.mp4 Large: 10.7MB High Optimised for full-screen display on a fast computer.
fcfrench2_bb.mp4 Medium: 5.0MB Medium Can be displayed full screen. Also suitable for video iPods.

Right-click on the links above to download video files to your computer.

Thanks to the generosity of the rights holders, we are able to offer this clip in an embeddable format for personal or non-commercial educational use in full form on your own website or your own blog.

You must read and agree to the following terms and conditions before embedding the clip:

Downloadable Video – FOR EDUCATIONAL CRITICISM AND REVIEW PURPOSES ONLY

This clip is available for download for the limited purpose of criticism and review in an educational context. You must obtain permission from editorial@aso.gov.au for all other purposes for use of this material.

Terms & Conditions

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described here and elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions. ALL rights are reserved.

You must read and agree to the following terms and conditions before downloading this clip:

When you access ABC materials on australianscreen you agree that:

  1. You may download this clip to assist your information, criticism and review purposes in conjunction with viewing this website only;
  2. Downloading this clip for purposes other than criticism and review is Prohibited;
  3. Downloading for purposes other than non-commercial educational uses is Prohibited;
  4. Downloading this clip in association with any commercial purpose is Prohibited;

The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

Copy and paste the following code into your own web page to embed this clip: