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Four Corners – Fixing Cricket (2000)

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The root of all evil education content clip 1, 2

Original classification rating: PG. This clip chosen to be G

Clip description

The Board of Control for Cricket in India (Indian Cricket Board) controls the millions of dollars generated from the game of cricket. If the game were to be tainted through accusations of match fixing then the extraordinary amounts of money generated from television rights would be in jeopardy. So the Indian Cricket Board conducted its own inquiry into corruption and whitewashed their players with a report that exonerated everyone from any wrongdoing.

Curator’s notes

Liz Jackson weaves an intriguing tale about big business and big sport and the corruption of cricket players. It’s just not cricket!

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows the alleged failure of the Board of Control for Cricket in India (BCCI) and subsequently of the International Cricket Council (ICC) to thoroughly investigate accusations of match fixing in Indian cricket in a 1997 inquiry. The money involved in Indian cricket is described as the reason why the inquiry’s report was a whitewash. The clip includes an interview with Harsha Bhogle, an Indian cricket commentator and journalist who criticises the report.

Educational value points

  • This clip seeks to establish a link between money and match fixing in Indian cricket, with the strong implication being made that two of cricket’s controlling bodies were implicated in conspiring to protect the image of cricket. The popularity of cricket among India’s extensive population creates a huge money-making capability, especially through the sale of television rights. Rumours of match fixing threatened Indian cricket’s capacity to generate revenue.
  • The 1997 inquiry is criticised for not seriously addressing the accusations of malpractice by Indian players and officials. Judge Chandrachund, who led the inquiry, interviewed a select number of players and officials and found that while there was evidence of large-scale betting occurring in India, he was ‘unwilling to believe’ that there was proof that any Indian player or official had engaged in such an activity. Two years later the ICC accepted the findings.
  • The clip’s narrator raises questions about the probity of the BCCI, the richest cricket board in the world. The board selects the players, umpires and officials to represent India in international competitions. This gives it great power in India. Its huge wealth, derived from sponsorship, broadcasting and advertising revenue, makes it an influential member of the ICC.
  • As described in the clip, India is a ‘cricket-mad’ country. First brought to the country by the British, cricket is now India’s unofficial national sport involving almost all the states and is one of the few sports in which India has achieved continuing international success. Innovative marketing strategies adopted by the BCCI have cashed in on and extended cricket’s large fan base in India. Cricketers enjoy superstar status and derive huge earnings from product endorsements.
  • This excerpt from the Walkley Award-winning documentary made by Liz Jackson (c1951–) for the ABC program Four Corners was filmed at the height of a match-fixing controversy that began with Pakistan’s Salim Malik’s life ban and was followed by South African cricket captain Hansie Cronje’s (1969-2002) admission that he took money to fix matches. The program aimed to expose why match fixing had escaped official investigation for so long.

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This clip is available for download for the limited purpose of criticism and review in an educational context. You must obtain permission from editorial@aso.gov.au for all other purposes for use of this material.

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This clip is available for download for the limited purpose of criticism and review in an educational context. You must obtain permission from editorial@aso.gov.au for all other purposes for use of this material.

Terms & Conditions

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described here and elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions. ALL rights are reserved.

You must read and agree to the following terms and conditions before downloading this clip:

When you access ABC materials on australianscreen you agree that:

  1. You may download this clip to assist your information, criticism and review purposes in conjunction with viewing this website only;
  2. Downloading this clip for purposes other than criticism and review is Prohibited;
  3. Downloading for purposes other than non-commercial educational uses is Prohibited;
  4. Downloading this clip in association with any commercial purpose is Prohibited;

The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

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