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Factory to Farm: Making Agricultural Implements in Australia (c.1925)

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Benefits of mechanical harvesting education content clip 1, 2

This clip chosen to be G

Clip description

A man manually harvests wheat with a scythe while women bundle up what’s left behind. This system is then contrasted with harvesting using horse-drawn Australian made machinery which is pulled through the field with greater speed and efficiency.

Curator’s notes

This clips makes the link between the implements produced in the factory (shown in clip one) and the positive impact it has on other areas of local industry. One of the title cards at the end of the film says that the farmer, the implement maker and the Australian sunshine are a great combination. Again, this serves to raise awareness for the Made in Australia council’s motto: ‘wherever you trade, buy Australian Made’.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This silent black-and-white clip shows a hay or grain crop being reaped and bound into sheaves first by hand and then by machine. A man in late-19th-century dress is shown cutting the crop with a scythe while a group of women dressed for the same period collect and bundle the stalks into sheaves. An intertitle that reads ‘How it is done today’ introduces the next sequence, which shows a horsedrawn reaper cutting and binding the crop.

Educational value points

  • The clip uses 'before’ and 'after’ sequences to promote the benefits of mechanisation by demonstrating that it is much faster and more efficient to use a mechanical reaper and binder than cutting and bundling by hand. The shot of a crop in a vast field that appears before the clip cuts to the mechanised reaper and binder at work was probably included to demonstrate that mechanisation enabled farmers to crop larger areas of land.
  • The reaper and binder shown in this clip was produced by the H V McKay Pty Ltd works in Sunshine in Melbourne, a company established by Hugh Victor McKay (1865–1926) in the late 1880s to manufacture the Sunshine stripper harvester and other farm implements. By the 1920s the factory was the largest in Australia and reputedly the biggest manufacturer of agricultural machinery in the southern hemisphere.
  • The reaper and binder featured cut the grain or hay and packed it into a bundle, a job that prior to mechanisation required at least two labourers. The large reel on the left of the machine collected the stalks and held them against the blades of a cutting bar. The stalks were deposited into the ‘dropper’, a slotted frame behind the cutting bar, and were then packed into bundles that were tied with twine by a binding attachment on the right of the machine.
  • Reaping and binding by hand is slow, arduous and labour-intensive work. Prior to the 1880s in Australia, grain and hay crops were cut manually using a scythe, a long-handled implement with a long curved single-edged blade. The cut stalks were then collected and tied into sheaves, or bundles. It took about 35 h of manual labour to reap 1 ha.
  • In the 1920s, when this footage was shot, cameras were cumbersome and film was silent and black and white. The size and weight of the camera meant that filmmakers were limited to using long, static takes – for example, in this clip the camera has remained fixed, while there are no close-ups and only two small pans across a wheat field.

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australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

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