Australian
Screen

Teacher’s notes

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This black-and-white clip shows three animated Australian political cartoons created during the First World War. Cut-out animation with captions satirise Kaiser Wilhelm’s failure to take responsibility for the war dead represented by piles of skulls and crosses. The second sequence 'Look out Billy’ shows the comical figure of a suffragette whose advances are rejected by prime minister Billy Hughes. The final cartoon shows the Sun with the face of Kaiser Wilhelm being eclipsed by the face of King George V.

Educational value points

• Political cartoons often use humour to try to persuade the viewer to adopt a certain position on a contemporary social or political issue. This clip contains two pro-First World War cartoons depicting the Kaiser as an unfeeling butcher and as a man whose power will be eclipsed by Britain’s king. The other cartoon pokes fun at an English suffragette who has come to Australia to get prime minister Billy Hughes to return to Britain to support their cause.

• The communicative power of simple cut-out animation is demonstrated in the clip as the Kaiser’s words of self-justification are ironically commented on by the graphic images of skulls, a wartime graveyard in a desolate landscape, and the skeletal arms handing Wilhelm the globe that turns into a skull. The Kaiser’s face on the dial of the Sun changing to George V’s face graphically represents the Allied powers eclipsing Germany’s might.

• The style of these animated cartoons supports the multiple roles they were designed for as part of silent newsreels. They had to convey timely information, entertain and make a point without a spoken commentary. The simple white-on-black cut-out images quickly establish a personal point of view. The comparative simplicity of the technique assured their speedy production to provide weekly political commentary, then the only alternative to the print media.

• The clip shows a view of the role of Kaiser Wilhelm, Emperor of Germany, in the First World War that has been debated by historians. The cartoonist holds him responsible for the large numbers of German war dead. It is not clear how large a role Wilhelm played in the progress of the War. He was commander-in-chief of Germany’s armed services but his lack of military ability meant his influence waned as the War progressed and the real power devolved to his generals.

• The second cartoon is an example of the nature of cartoons, the meaning of which, over time, may be lost or difficult to retrieve. Cartoons rely on context as well as visual imagery to convey their message to an audience. This cartoon from the First World War appears to poke fun at the British suffragette and her mistaken belief that Australia’s prime minister would support British women’s suffrage, but the context familiar to audiences at the time is not familiar to us today.

• This second clip shows an affectionate regard for William (Billy) Hughes (1864–1952), Australia’s prime minister during most of the First World War. In England when the War ended he worked hard to ensure Australia’s interests were represented at the Paris Peace Conference, particularly to ensure that Germany should pay the costs of the War. He was greeted as a hero on his return to Australia.