Clip description
While mutineers are busy plotting to take over the Dutch ship Batavia, it is wrecked on a coral reef off the coast of Western Australia.
This clip chosen to be PG
While mutineers are busy plotting to take over the Dutch ship Batavia, it is wrecked on a coral reef off the coast of Western Australia.
This clip shows the final journey of the Batavia, from its last port of call in Cape Town, in what is now South Africa, to its shipwreck on the Abrolhos Islands off the coast of Western Australia. Shots of maps and charts from the 17th century and the sound of waves and creaking timbers are used to depict the progress of the ship. A narrator describes the journey and introduces the central character, mutineer Cornelisz. Images of the moon, illustrations of a shipwreck, waves and a model boat are used in rapid succession to portray the shipwreck of the Batavia. A narrated diary excerpt from one of the survivors describes how the passengers and crew struggled ashore. The final shots are of the coral reef itself and an aerial view of the island as it is today.
Shots of 17th century maps and charts illustrate the final journey of the Batavia from Cape Town to its shipwreck on the Abrolhos Islands off the coast of Western Australia. Also visible is an actor representing the mutineer Cornelisz.
Narrator The Cape of Good Hope was the Batavia’s last port of call before Java. The course then lay due east for 3,000 miles to the threshold of the great southland, a vast and unknown continent ignored by all the European powers. Cornelisz – persuasive, insidious – plotted a mutiny. With the connivance of Captain Jacobs, the Batavia was manoeuvred away from the other ships. The plan was to seize the vessel and take up piracy, a more lucrative and exciting pastime than keeping accounts. With intrigue occupying many of the crew and passengers, and Commandant Pelsaert sick in his bunk, it is not surprising that discipline was lax. The ship was off-course as it approached the ill-omened Abrolhos Islands. According to the log, the lookout thought he saw moonlight on the water, when in fact it was the sea breaking over the reef.
Images of the moon, illustrations of a shipwreck, waves and a model boat are used in rapid succession to portray the shipwreck of the Batavia.
Narrator Pelsaert’s journal for Monday, June 4, reads:
I felt a rough, terrible movement and immediately afterwards, the ship held in her course against the rocks so that I fell out of my bunk. It became daylight, and we found ourselves amongst rock and shallows on all sides, and very suddenly it began to surf and foam around the ship so that we could not stand or walk.
There are shots of the coral reef and an aerial view of the island as it is today.
Narrator The Batavia had snagged herself on Morning Reef and driven a trench right into the coral platform. At low tide it was possible to jump on to the shallow reef from the bow of the ship. But as few people could swim in the 17th century, 40 drowned trying. 250 others managed to get off in small boats or stumble hesitantly ashore. They waded knee-deep across the treacherous brittle coral, tearing and lacerating their legs as it crumbled under their weight. Nearby were two small islets, and further away, a somewhat larger one. Used today by fishermen and marine archaeologists, this island was named Batavia’s Graveyard by the survivors.
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