This clip chosen to be G
Clip description
Aboriginal artists Brandy Tjungurrayi and Charlie Wallabi paint their country.
Teacher’s notes
provided by
This clip shows Indigenous Australian artists from the Warlayirti Art Centre at Balgo arriving at Kiwirrkurra, a remote community in central Western Australia, on a journey back to country. The group is shown meeting up with artists Brandy Tjungurrayi and Charlie Wallabi, who will join them on the next leg of the journey. It concludes with artist Tjumpo Tjapanangka inside one of the houses at Kiwirrkurra.
Educational value points
- For many of the Balgo artists, who live hundreds of kilometres from their country, painting is a way of maintaining a link with country. While Balgo is more than 400 km from Kiwirrkurra, strong familial ties ensure that firm links are maintained between the two communities. The Balgo artists are renowned for their vivid use of colour, strong iconic images and bold compositions, and tend to use acrylic paint on canvas – a Western medium adopted by many Indigenous Australian artists in the 1970s.
- In the clip Brandy Tjungurrayi indicates that he can ‘talk for’ the land that the Balgo artists are travelling to. Elders such as Brandy Tjungurrayi and Charlie Wallabi have a significant responsibility to continue to pass on knowledge, language and cultural practices and to protect country. Elders from particular country are permitted to ‘talk for’ or depict their country and culture in their artworks.
- Brandy Tjungurrayi was born in the bush about 1930 and paints stories connected to his country around Nyilla (Jupiter Well). He started painting at Balgo in 1985. He also lives at Kiwirrkurra with many of his relatives. His paintings are elegant linear compositions comprising fine dots that run together to create lines. In 2000 Tjungurrayi had his first solo exhibition and participated in the Kiwirrkurra Men’s Painting, which was exhibited at the Papunya Tula retrospective at the Art Gallery of New South Wales.
- Charlie Wallabi Tjungurrayi is a well-known Pintupi artist whose early years in the bush influence his work. He was born in the late 1930s or early 1940s near Nyilla in Western Australia like his elder brother, Helicopter Tjungarrayi, another major Balgo artist referred to in the clip. Charlie Wallabi has been exhibiting his artwork for more than ten years. He and his wife, the artist Josephine Nangala, come from the Western Desert community of Kiwirrkurra.
- Tjumpo Tjapanangka (1920s–2007) is shown in this clip as a senior artist and Elder with important ceremonial responsibilities who continues to value his childhood and youth spent in the bush. He was born in the late 1920s or early 1930s. He began painting in 1986 and his art varies from very large to smaller paintings with a focus on subjects connected to water and to Dreaming. He continued to eat bush foods into old age and was a marpan (healer). He died in 2007.
- The Kiwirrkurra community, situated in the Gibson Desert of central WA, is one of the most remote Indigenous communities in Australia, and has a population of about 200 people. It was established in 1982 by Pintupi people – who from the 1940s were moved off their land in the Western Desert – so they could live close to their country. In 2001 the people at Kiwirrkurra were granted native title over the land and waters of approximately 42,000 sq km of the Gibson Desert.
Thanks to the generosity of the rights holders, we are able to offer Kiwirrkurra from the documentary Painting Country as a high quality video download.
To play the downloadable video, you need QuickTime 7.0, VLC, or similar.
You must read and agree to the following terms and conditions before downloading the clip:
australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.
All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.
When you access australianscreen you agree that:
- You may retrieve materials for information only.
- You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
- You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
- The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.
All other rights reserved.
ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.
This clip is available in the following configurations:
File name | Size | Quality | Suitability |
painting3_pr.mp4
|
Large: 13.4MB |
High |
Optimised for full-screen display on a fast computer. |
painting3_bb.mp4
|
Medium: 6.3MB |
Medium |
Can be displayed full screen. Also suitable for video iPods. |
Right-click on the links above to download video files to your computer.
Thanks to the generosity of the rights holders, we are able to offer this clip in an embeddable format for personal or non-commercial educational use in full form on your own website or your own blog.
You must read and agree to the following terms and conditions before embedding the clip:
australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.
All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.
When you access australianscreen you agree that:
- You may retrieve materials for information only.
- You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
- You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
- The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.
All other rights reserved.
ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.
Copy and paste the following code into your own web page to embed this clip: