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First Australians – Episode 4, No Other Law (2008)

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clip ‘He calls it the Dreamtime’

Original classification rating: PG. This clip chosen to be PG

Clip description

Rachel Perkins, as narrator, and Max Stuart of the Arrernte Luritja Nation, explain the origin of the term ‘the Dreamtime’ and its importance in Arrernte life. Historians Dick Kimber, Professor Marcia Langton of the Yiman-Bidjara Nation, Gordon Briscoe, a Maraduntjara man, and historian-archaeologist Professor John Mulvaney discuss the seminal publication of Baldwin Spencer and Frank Gillen, The Native Tribes of Central Australia (1899).

Curator’s notes

The work conducted by Spencer and Gillen is precious to the Arrernte people because they now have a comprehensive record of their culture at the time of its recording. It must, however, be a meagre consolation for the decimation of that same culture. Gillen and Spencer’s chief intent was to record the secret-sacred practices of Indigenous people. As a result only small non-secret or ‘open’ sections of the films remain, which can be seen throughout this episode. The footage Spencer shot in the central desert, and on the rest of their expedition in the Northern Territory, is particularly sought after. It is often witnessed with great joy by Aboriginal people viewing this collection at Museum Victoria and at the National Film and Sound Archive.

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australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

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  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

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