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2000s (continued)

Wamsley’s War 2000

Wamsley’s controversial hat made of feral cat skins was instrumental in his campaign to make it legal for operators of wildlife sanctuaries to destroy cats.

Willigan’s Fitzroy 2000

In the film’s introduction we hear the director talking with Willigan as they drive through the country in a four-wheel drive vehicle, setting up a style Thornton uses throughout the film.

Alyawarre Country 2001

For decades there was awful conflict between pastoralists and Indigenous people; two elders share their perspective, in their language.

Diaries of Vaslav Nijinsky 2001

Vaslav Nijinsky, from Russia, was widely considered the most talented male dancer of the 20th century.

Dog Dreaming 2001

Dog Dreaming is a documentary about the journey of two ancestral dogs that became a Dreaming story.

Kimberley Cops 2001

Stories of rogue crocodiles, tipped cattle trucks and search-and-rescue operations for lost tourists emphasise the dangers and harsh realities of life in the outback.

Losing Layla 2001

A painfully explicit depiction of grief, for some reviewers the film was seen as too raw, albeit courageous in its exposure of the subject.

Much Ado About Something 2001

Much Ado About Something is a poetic investigation into whether the literary works attributed to Shakespeare were really written by Christopher Marlowe.

My Mother India 2001

My Mother India provides an insight into the experience of the filmmaker’s mother as an Australian migrant married to a Sikh in India.

My Mother’s Country Part 1 2001

Oral history is an important feature of Indigenous culture. The stories told by family members give the Coniston massacre of 1928 a human face.

My Mother’s Country Part 2 2001

Japanangka’s act of retaliation for the theft of his wife sparked one of the last-known massacres of Aboriginal people in Australian history.

Narbalek 2001

Narbalek is one of more than 100 documentaries made in the Nganampa Anwernekenhe Series, designed primarily for Indigenous audiences.

Prahran 3181: Swimming in the Backyard 2001

Simple subject matter – life at a swimming pool – captures the social interaction of the regulars and the sense of community.

Shadow Play 2001

In Indonesia, 1965, a group of President Sukarno’s guards murdered six generals. A history of our closest Asian neighbour, and its postwar political history.

Smoking the Baby 2001

Smoking the Baby demonstrates an Indigenous ritual that helps children and mothers fend off illness.

Whispering in Our Hearts 2001

Remembering those who were murdered in the 1918 massacre of Aboriginal people at Mowla Bluff is very much to do with healing.

Big Girls Don’t Cry 2002

This is about Indigenous women living with renal disease, and their strength pulls at the heart strings.

Child Soldiers 2002

It is horrifying to hear children talk of killing and maiming people.

Chinese Take Away 2002

An adaptation of a physical theatre show by performer Anna Yen, which explores stories about her family.

Fond Memories of Cuba 2002

Two perspectives are presented: admiration for Fidel Castro and proud optimism, alongside evidence of poverty and decay.

The Foundation 1963–1977 2002

Excluded from the census until 1967, Indigenous Australians formed The Foundation for Aboriginal Affairs in 1963, to agitate for political and social change.

Gulpilil: One Red Blood 2002

David Gulpilil continues to be a person – culturally and creatively – of incredible artistic significance to Indigenous peoples and Australian society alike.

In Limbo 2002

Australian lawyer Hoi Trinh attempts to secure citizenship for 2,000 Vietnamese 'boat people’. Thirty-seven families are resettled, the rest remain in limbo.

Making Venus 2002

Making Venus records in exquisitely painful detail the worst that can happen when making an under-budgeted, ill-prepared film.

Outback Opera, La Boheme Tour 2002

Opera Australia’s OzOpera Tour took La Boheme to country Victoria and South Australia. The camera follows the 22-stop tour.

Seeking Asylum 2002

Three Afghans escaped from the Taliban and arrived in Australia as asylum seekers. Ninety-two per cent of Afghans seeking asylum in Australia are genuine refugees.

Trespass 2002

Trespass revisits the Mirarr people’s fight against the uranium mines in Jabiluka. Yvonne Margarula is arrested for walking on her own land.

Beyond Sorry 2003

The filmmakers get to the heart of the consequence of child removal, yet tell a story that is painfully humane, and never compromising the humanity and beauty of its subjects.

The Dream and the Dreaming 2003

When Lutheran missionaries arrived in Central Australia, the strength of the existing culture made it challenging to make converts.

A Girl, a Horse, a Dream 2003

This documentary follows the top Australian female jockey for a year to see if men and women can compete equally in horseracing.

The Healing of Bali 2003

This documentary explores the Balinese response to the terrorist bombings in Kuta on 12 October 2002.

Helen’s War: Portrait of a Dissident 2003

Filmmaker Anna Brionowski follows her aunt, anti-nuclear activist Dr Helen Caldicott, for a year to capture the feelings of frustration and urgency of a 30-year campaign.

The Man Who Stole My Mother’s Face 2003

In 1989 Laura Henkel was raped. Thirteen years later her daughter, director Cathy Henkel, tries to get the case re-opened.

Molly and Mobarak 2003

The emotional journey of a young Hazara refugee from Afghanistan who struggles to adjust to life in regional NSW.

Not In Front of the Kids 2003

Here is a challenge to common misconceptions about sexuality, relationships and the social and physical needs of people aged over sixty.

Time Bomb 2003

A time bomb’ is how Frank Djara, a diabetic and the first male health worker in Areyonga, refers to living with diabetes.

5 Seasons 2004

Ancient Indigenous philosophies and cosmologies, this documentary shows, treat the land as a living entity and worthy of respect.

All About Olive 2004

Filmmaker Mike Rubbo takes 105 year-old Olive Riley back to her childhood home in Broken Hill, western NSW, to talk about her life.

Anthem: An Act of Sedition 2004

This ambitious work gives voice to everyday people affected by the ‘war on terror’ and Australia’s mandatory detention policies.

Betelnut Bisnis 2004

Betelnut is the fourth most consumed legal substance in the world after tobacco, alcohol and caffeine.

Black Soldier Blues 2004

African American veterans talk candidly about the friendliness of Australians compared with their callous treatment by white American servicemen.

Frank Hurley: The Man Who Made History 2004

An excellent look at the man who produced some of Australia’s first documentaries, and some of our most iconic images.

I Told You I Was Ill: The Life and Legacy of Spike Milligan 2004

Milligan’s affection for Australia, particularly the suburb of Woy Woy which he quips is a great place to commit suicide, had a significant impact on his life.

Karli Jalangu – Boomerang Today 2004

The making of the number seven boomerang is not a hurried process, but measured and multifaceted. Every step of the procedure has meaning.

Land Mines – A Love Story 2004

Shah planted landmines as a soldier then became the victim of a mine. His wife, Habiba, lost a leg to a mine and regrets that she can no longer wear pretty shoes.

Letters to Ali 2004

One family’s willingness to embrace 15-year-old Ali stands in contrast to the media’s portrayal of asylum seekers as ‘terrorists’ or ‘people smugglers’.

Mademoiselle and the Doctor 2004

Seventy-nine-year-old Lisette Nigot has decided to end her life. A powerful portrait illustrating the phrase ‘rational suicide’.

Mparntwe Sacred Sites 2004

This documentary about Mparntwe (Alice Springs) provides a history of the region and the journey of the ancestral beings that gave Mparntwe its form.

National Treasures – Bradman’s Bats 2004

Donald Bradman’s bats are a reminder of how this cricket legend played himself into the record books, earning the status of Australian icon.

National Treasures – Cuc Lam’s Suitcase 2004

Vietnamese refugee Cuc Lam talks about how this small red vinyl bag was a symbol of a new beginning in a new country.

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