Australian
Screen

Teacher’s notes

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This clip shows an extract from a 1939 black-and-white newsreel report about a case dubbed the 'Pyjama Girl murder’, the murder of an unknown woman whose battered and partially burnt body was found in a culvert in Albury, New South Wales on 1 September 1934. The report reconstructs aspects of the murder investigation, showing re-created scenes of the 1938 coronial inquest, police detectives combing the crime scene, a man examining a fragment of the pyjamas worn by the murdered woman, the post-mortem, and people filing past the preserved body of the victim in the hope of identifying her. The clip includes dramatic narration as well as music by German composer Richard Wagner.

Educational value points

• The Pyjama Girl Murder Case newsreel, produced in 1939 after the coronial inquest, is considered to be Australia’s first true crime film. Filmmakers Rupert Kathner and Alma Brooks defied a ban by the New South Wales Police Commissioner, William MacKay, on newsreel coverage of the case and even tried to break into Sydney University to film the body. The use of adverbs such as 'stealthily’ and emotive phrases such as 'fiend in human form’, as well as the re-creations of various episodes of the case, indicate the ways in which the filmmakers sought to sensationalise the case.

• The Pyjama Girl Murder Case was the first edition of a newsreel called Australia Today. Unlike the two main newsreels in Australia, Cinesound and Movietone, which had policies of avoiding controversial topics, Australia Today covered social issues such as inner-city slum housing, poverty, unemployment and alcoholism. The newsreel was a major source of news prior to the advent of television in 1956 and was usually shown in cinemas before the feature film, though some cinemas ran newsreels continuously.

• The 'Pyjama Girl murder’, one of the most baffling cases in Australian criminal law, involved an extensive police investigation and began after the battered and partially burnt body of a woman dressed in yellow silk pyjamas was found in an open drain in Albury on 1 September 1934. The victim’s head was wrapped in a bloody towel and her body was pushed headfirst into a hessian bag. The body had then been set alight. A post-mortem revealed that she had been shot below the right eye, but the cause of death was probably eight blows to her face.

• The 1938 coronial inquest into the case failed to establish the identity of the 'Pyjama Girl’. Her body was preserved in formalin in a zinc-lined bath at the Anatomy Department of Sydney University and shown to hundreds of people in the hope that someone would be able to identify her. Artists’ sketches and a forensic facial reconstruction were produced to represent what the victim may have looked like in life.

• The NSW Police made use of forensic science to finally identify the 'Pyjama Girl’. Forensic science, which involves the collection, preservation and analysis of crime scene evidence, was still in its infancy and though fingerprinting was available to police, DNA testing was not in use until the 1980s. The 'Pyjama Girl’ was ultimately identified as Linda Agostini through the use of forensic odontology (the study of teeth and gums).

• In 1944 dental records established that the 'Pyjama Girl’ was Linda Agostini, a missing person who had earlier been ruled out as the victim. Errors made by a local dentist with no previous experience in forensic odontology meant that it was only when the teeth were re-examined in 1944 that a match was made with Agostini’s dental records. However, historian Richard Evans has suggested in his book The Pyjama Girl Mystery (2004) that the new records were fabricated by corrupt police in order to 'solve’ the crime.

• After Linda Agostini was identified as the 'Pyjama Girl’ in 1944, her husband Antonio Agostini confessed to NSW Police Commissioner William MacKay that he had accidentally shot Linda during an argument. However, he maintained that the 'Pyjama Girl’ was not Linda. Richard Evans also argues that while Agostini killed his wife, she was not the 'Pyjama Girl’. He suggests that MacKay, who was under intense pressure to solve the crime, persuaded Agostini to confess in exchange for the lesser plea of manslaughter rather than face a murder charge, which still attracted the death penalty. He served 3 years 9 months and was then deported to Italy.

• Filmmaker Rupert Kathner and his partner Alma Brooks produced Australia Today to finance their feature film ventures. Kathner and Brooks, who were the subject of Alec Morgan’s film Hunt Angels (2006), were mavericks who often used elaborate scams to make films. In a period when Hollywood films dominated Australian cinemas and distributors were not interested in local product, the couple were committed to making Australian films. Between 1934 and 1951 they produced 14 newsreels and 5 feature films, including The Glenrowan Affair (1951).