Australian
Screen

an NFSA website

Footy Legends (2006)

play May contain names, images or voices of deceased Aboriginal and Torres Strait Islander people
Email a link to this page
To:
CC:
Subject:
Body:
clip 'Why do you play footy for?' education content clip 2

Original classification rating: PG. This clip chosen to be G

Clip description

Luc (Anh Do) and his sister Anne (Lisa Saggers) discuss football as they wait for the team’s first practice to start. Anne holds her pet tortoise, Britney, a gift from her brother. Luc gives his players a pep talk, as they begin the session.

Curator’s notes

The key relationship in the film is between Luc and his sister, rather than any of the players. The scene shows the film’s likeable style of humour, in which the vulnerability of the characters is always visible. Luc has prepared a list of motivational memories, written out on his hand, to gee up his players. Anne chimes in on cue with a response to his call: 'But not youse’, she says. This suggests they have practised this routine together. It’s a clever way of showing how close they are.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows Luc Vu (Anh Do) and his little sister Anne (Lisa Saggers) sitting beside a football field as Anne questions her brother about his interest in Rugby League football. Luc’s friends ‘the boys’ arrive for footy practice and Luc, with support from Anne and the prompts written on his hand, embarks on a pre-practice motivational speech. A montage of the training session completes the clip, which is accompanied by a popular song by The Hoodoo Gurus.

Educational value points

  • This clip presents a non-stereotypical, multicultural picture of members of a Rugby League team, which reflects the demographics of south-western Sydney. This area is home to Indigenous Australians, Vietnamese, Pacific Islanders and, more recently, Arabic-speaking immigrants. The sense of alienation that some of these young men have experienced in the past is used by Luc Vu to motivate the team as well as to enhance the boys’ self-esteem.
  • Film genres make use of specific codes and conventions to indicate the type of narrative texts they are. An understanding of these conventions allows audiences to determine easily what kind of film they are watching. Footy Legends (2006) includes elements of several film genres – the sports film, the 'geek’ film, the feel-good film and light comedy. Unlike so many of the more serious sports films, this clip is infused with a sense of friendship and fun.
  • This clip shows how camera angles and shots can be used to indicate place and relationships. The clip starts with an establishing shot, placing the characters at the football field, and then moves into a mid shot to display Luc and Anne’s close relationship. Mid shots of members of the team (reaction shots) are then used to humorous effect as the team members listen to Luc Vu’s motivational speech.
  • The second half of the clip uses the technique of montage to create visual excitement and movement for the football practice. The editing together of a number of shots compresses the passage of time and increases the sense of action and movement. The soundtrack also emphasises the movement and pleasure of the practice, as do the overlaid sound effects of grunting, yelling, the ball hitting bodies, car horns and laughter.
  • Music is often used in films to provoke an emotional response and to enhance the visuals. Here, the tune matches the energy of the footy practice while the lyrics highlight notions of identity and belonging. The song 'What’s my Scene?’ by Australian band The Hoodoo Gurus, an enormous hit on its release in 1987, was re-written by the band in 2003 to create a successful new National Rugby League theme, 'What’s My Team?’
  • This clip is set in the south-western suburbs of Sydney, an area often identified with socioeconomic disadvantage, crime and ethnic alienation. Footy Legends director Khoa Do wanted to challenge this notion: 'We were doing a feel-good film set in western Sydney and that never happens’. Local councils, Rugby League clubs, sports stars and some well-known actors supported the low-budget film and Khoa’s interpretation of south-western Sydney (http://smh.com.au).
  • Khoa Do (1979–) the co-writer and director of Footy Legends arrived in Australia as a Vietnamese refugee at the age of two. He grew up in Sydney’s south-western suburbs, where he set his three films Delivery Day (2000), The Finished People (2003) and Footy Legends (2006). A graduate of Sydney University, a teacher and a filmmaker, he was named Young Australian of the Year in 2005 for services to drama and his work with young people in Sydney’s south-west.
  • Anh Do (1977–) is a writer, actor and stand-up comedian who arrived in Australia with his family as a Vietnamese refugee in the early 1980s. He co-produced the critically acclaimed The Finished People (2003) with his brother Khoa Do and co-wrote Footy Legends (2006) with Khoa and Khoa’s wife Suzanne Do. Anh Do has appeared in the Australian television programs Thank God You’re Here, Fat Pizza, Sea Change and All Saints.

We see a girl and her older brother sitting side by side on a grassy verge. The girl is holding a turtle.
Anne Why do you play footy for, anyway?
Luc ’Cause it’s fun. ‘Cause when you play, people like you.
Anne You want to hold Britney?
Luc Britney? Haha. Hello, Britney.

Other boys start to arrive.
Boy 1 Hey, sexy! You in the footy jersey. Can I have your number?
Luc The boys!
Boy 2 Yeah, you can win a ute.
Boy 1 My uncle’s got a ute.
Boy 2 Your uncle’s got a bomb.
Luc Hey, listen, guys. Do you remember eight years ago we played Birong, and everyone thought we’d lost the game? Do you remember that, guys? Everyone thought – everyone.
Anne But not you.
Luc But not us, guys. We won, eh. Remember that? And what about when we played Allo’s guys? Everyone thought we were dead for sure, everyone!
Anne But not youse.
Luc Not us guys. We smashed ‘em, eh. Hey?
Anne Yeah!
Luc What about the Year 11 formal, huh? We thought no girls would dance with us, remember?
Anne Really?
Luc Yeah. No, they did.
Boy 1 Except for Terry.
Terry Shut up.
Luc Terry, throw me the ball, man. I’ll show you some magic.

’What’s My Scene’ by Hoodoo Gurus plays as the boys complete their training session.
Luc Stacks on!
Others Stacks on!
Boy Ow, that’s my back! Get off!

Thanks to the generosity of the rights holders, we are able to offer 'Why do you play footy for?' from the feature film Footy Legends as a high quality video download.

To play the downloadable video, you need QuickTime 7.0, VLC, or similar.

You must read and agree to the following terms and conditions before downloading the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

This clip is available in the following configurations:

File nameSizeQualitySuitability
footyleg2_pr.mp4 Large: 14.8MB High Optimised for full-screen display on a fast computer.
footyleg2_bb.mp4 Medium: 7.0MB Medium Can be displayed full screen. Also suitable for video iPods.

Right-click on the links above to download video files to your computer.

Thanks to the generosity of the rights holders, we are able to offer this clip in an embeddable format for personal or non-commercial educational use in full form on your own website or your own blog.

You must read and agree to the following terms and conditions before embedding the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

Copy and paste the following code into your own web page to embed this clip: