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National Treasures – ‘The Sentimental Bloke’ Film (2004)

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'The Sentimental Bloke' film education content clip 1

This clip chosen to be PG

Clip description

Warren Brown takes us into the vaults of the NFSA to find out why the 1919 silent movie The Sentimental Bloke is regarded as one of the greatest Australian films.

Curator’s notes

The 'sentimental bloke’ is a Melbourne larrikin, who vows to abandon his life of gambling and drinking when he falls in love with Doreen, who works in a pickle factory. In the book we also meet Ginger Mick, the Bloke’s mate.

The narrative poems in the book describe various episodes and incidents in the group’s lives and relationships. One story is based around the Bloke and Doreen going to a play, Romeo and Juliet, with Doreen identifying with the romance, while the Bloke admires the fight scenes more:

Nex’ minnit there’s a reel ole ding-dong go – 'Arf round or so.
Mick Curio, 'e gets it in the neck,
'Ar rats!’ 'e sez, an’ passes in 'is check.

Quite natchril, Romeo gits wet as 'ell.
'It’s me or you!’ 'e 'owls, an’ wiv a yell,
Plunks Tyball through the gizzard wiv 'is sword,
'Ow I ongcored!
'Put in the boot!’ I sez. 'Put in the boot!’
'Ush!’ sez Doreen . . . 'Shame!’ sez some silly coot.

The poems are written in the vernacular of the street gangs and working class of the day, and can be very difficult for students to understand without translations.

The film was made by Raymond Longford and Lottie Lyell, at the time the best-known partnership in Australian cinema, and was filmed mainly in the inner-city Sydney suburb of Woolloomooloo.

The Sentimental Bloke uses inter-titles taken from the original poem written in Australian slang and was a hit when it opened in Melbourne, breaking all existing box-office records. It was also popular in Britain and New Zealand, but did not succeed in the US, where test audiences failed to understand the language.

The film was rediscovered in the 1950s and a new print screened at the Sydney Film Festival in 1955. Longford was found to be working as a night watchman on the Sydney wharfs.

Since then the original negative sent to the US was recovered and found to be of a better quality print than any of the Australian copies. The new version premiered at the 2004 Sydney Film Festival and also played at the 2005 London Film Festival.

Watch clips from The Sentimental Bloke (1919) on ASO and read about the restoration of the film for DVD release at the NFSA website.

Teacher’s notes

developed for NFSA digital learning NFSA digital learning

Classroom Activities

  1. Who is the Sentimental Bloke?
  2. What is the story that is presented in the film?
  3. What happened to the original film?
  4. Where was the film finally found?
  5. What had the Americans done to change it?
  6. How were archivists able to reconstruct the original film?
  7. The film offers a way of introducing early 20th century life. Watch the film and develop hypotheses about the nature of life at the time – such as housing, health, the economy, work and workers, the role of women, attitudes and values.
  8. Research these elements, testing your hypotheses above, and in particular compare this view of urban life with rural areas (not looked at in the film).
  9. Some people argue that it is very important to preserve historical artworks such as The Sentimental Bloke, while others have argued that these things are meant to just capture a moment and then be lost. What do you think?

Original footage

  1. Looking at the original footage of The Sentimental Bloke, what can you say about the following production elements?
    • Camera angles
    • Lighting
    • Editing
    • Acting.
  2. Why do you think coloured filters/tints have been applied to some scenes?

Further activities

  1. The Sentimental Bloke captures or represents Australian identity in 1919. Can you think of a recent film or television program that does the same today?
  2. How does that film or program represent Australia and/or Australian identity?
  3. How does it show the cultural/political/social make-up of ordinary Australians?
  4. What issues do they show as important to Australians?
  5. What do you think it will reveal about Australian society to a viewer in 100 years time?
  6. How effective is Warren Brown’s introduction to the documentary? How do documentaries 'set up’ audiences to capture their interest? Discuss the modern documentary codes and conventions the filmmakers employ. For example:
    • Warren’s to-camera introduction to the film
    • The use of clips from the film – on what criteria do they appear to have been chosen?
    • Warren’s narration over the clips
    • The use of fast motion in the NFSA segment
    • The interview with Ray Edmondson.

Creating

  1. Create a two-minute video clip or montage of still images representing what a typical Australian means to you. Remember to avoid clichés and stereotypes. This is about a personal representation of Australians.
  2. Create a short documentary video profiling your favourite film. You can research its production and history online and using film studies texts. If footage is available copyright free, include relevant scenes and shots.

Exploring slang

  1. The Sentimental Bloke is written in the slang of the working class of the first 20 years of the 20th century. Look at the slang, translate it and present a short piece in modern English. Read both versions aloud. What is gained and what is lost in this ‘translation’?
  2. Research the use of slang today for a particular group.
  3. Discuss the use of SMS text language today. Is it influencing language?
  4. What other influences are there on Australian language today? What are the main influences? Are they desirable? Should they be controlled? Can they be?

The book

  1. The Sentimental Bloke was a popular book from its first publication. Is it likely still to appeal to its main audience today? Explain your reasons.
  2. Do a Google search for images of The Sentimental Bloke to see a variety of ways of representing the people and the period. Compare to contemporary photographs. Why have different images for different media (film, play, ballet, etc)?
  3. Look at an illustrated version of the book. What is the main purpose of the illustrations – to reflect the text, or to add additional information and ideas to the story? Describe the:
    • Style
    • Characterisation
    • Use of colour
    • Use of black-and-white in the Hal Gye illustrations.

Thanks to the generosity of the rights holders, we are able to offer 'The Sentimental Bloke' film from the documentary National Treasures – 'The Sentimental Bloke' Film as a high quality video download.

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australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

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