Australian
Screen

an NFSA website

Winners – The Other Facts of Life (1985)

A video which normally appears on this page did not load because the Flash plug-in was not found on your computer. You can download and install the free Flash plug-in then view the video. Or you can view the same video as a downloadable MP4 file without installing the Flash plug-in.

Email a link to this page
To:
CC:
Subject:
Body:
clip Ben protests at a family barbecue education content clip 1, 2, 3

Original classification rating: G. This clip chosen to be G

Clip description

At the Guthries barbeque, everyone is having a great time. Ben’s parents Ron (Dennis Miller) and Di (Anne Grigg), discuss their concerns about Ben’s behaviour with their friends, (John Clayton, Candy Raymond, David Downer). While these friends make fun of Ben’s concerns, Ben (Ken Talbot) is in the bathroom with a razor. He appears at the table in the middle of lunch with his head shaved and dressed in a loincloth, making his point about people starving. His parents are furious with him and embarrassed in front of their friends.

Curator’s notes

A lovely example of the cleverly drawn contrasts between the shallow, thoughtless adults and the very serious Ben with his mission to try and save the world. This comic element keeps the story from becoming too heavy but at the same time is effective in drawing attention to Ben’s message without trivialising it.

The role of the adults in this story is interesting. While Ben’s parents are presented as shallow, self-absorbed people, they are also very loving parents and concerned for their son. Their one-dimensional friends are used to present the more comical elements of farce and parody.

Teacher’s notes

provided by The Le@rning FederationEducation Services Australia

This clip shows a barbecue held by the Guthrie family, with various adults discussing business and dismissing the problems of developing countries and Ben’s ‘problem’. Meanwhile Ben (Ken Talbot) hears these conversations through the bathroom window as he holds a razor in his hand. Barry (David Downer) continues his disparaging comments about charity until Ben appears with his head shaven and wearing a loincloth. Ben is sent to his room as his angry and embarrassed parents apologise to their guests.

Educational value points

  • This clip uses many visual clues to set the scene for the eventual climax – Ben’s appearance at the table. The initial panning shot of the Guthries’ backyard with its pool and their large house establishes their affluence. The clothes and jewellery of the women and the long food-filled table add to this impression. Ben being shown holding a razor is another clue. His dramatically shaven head and loincloth provide a sharp visual contrast to the prosperity.
  • The friends who are gathered at the Guthries’ barbecue are portrayed almost as caricatures with their exaggerated gestures, laughter and use of clichés. Their portrayal is aided by the use of close-ups. They provide a context for Ben’s appearance; the extreme views presented by Barry provoke an extreme response in Ben.
  • The soundtrack contributes to the mood and drama of this clip. The dog barking and meat sizzling on the barbecue give the impression of an ordinary suburban get-together. In contrast the sombre music, Barry’s words and the exaggerated echo of his laughter in the bathroom anticipate Ben’s actions. Outside, the noises of lunch are interrupted by silence, gasping and the dropping of a glass, which herald Ben’s dramatic entrance.
  • Ben’s appearance with shaven head and loincloth pays homage to Mahatma Gandhi (1869–1948) the Indian religious and political leader who campaigned for self-rule in India by non-violent means and played an active part in the negotiations for Indian independence from Britain, which was achieved in 1947. Gandhi wore the loincloth, the dress of an Indian villager, to support India’s cottage industries and to distinguish himself from the British.
  • Ben’s concern for starving people contrasts sharply with Barry’s comments about charity and the developing world. The World Health Organization estimates that one-third of the world is well-fed, one-third is underfed and one-third is starving; every year 15 million children die of hunger. In Asian, African and Latin American countries more than 500 million people are living in what the World Bank has called ‘absolute poverty’ (library.thinkquest.org).
  • This clip illustrates, through its juxtaposition of comedy and a serious issue, the divide between generations. The adults appear to be apathetic about serious matters and dismiss Ben’s concerns as a passing problem. Ben, a young adolescent, displays a passion and a sensitivity to the plight of others that are rejected as immaturity rather than as a sign of increasing maturity and responsibility, a situation that can lead to alienation from adults.
  • Morris Gleitzman (1953–), one of Australia’s most successful authors, was born in England and emigrated to Australia in 1969. He worked as scriptwriter for The Norman Gunston Show before writing the script of The Other Facts of Life. He later wrote a novel based on the script, published by McPhee Gribble as one of a series of novels based on the Winners series.
  • Gleitzman has won many awards for his children’s books, which have been published internationally. He uses humour as a vehicle to present challenging themes such as AIDS, and refugee and immigration issues. Gleitzman believes that children should not be protected from the larger problems facing the world, and that being confronted with difficult problems that do not have simple solutions may be less harmful than not knowing about them.

Thanks to the generosity of the rights holders, we are able to offer Ben protests at a family barbecue from the television program Winners – The Other Facts of Life as a high quality video download.

To play the downloadable video, you need QuickTime 7.0, VLC, or similar.

You must read and agree to the following terms and conditions before downloading the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

This clip is available in the following configurations:

File nameSizeQualitySuitability
winother2_pr.mp4 Large: 16.2MB High Optimised for full-screen display on a fast computer.
winother2_bb.mp4 Medium: 7.7MB Medium Can be displayed full screen. Also suitable for video iPods.

Right-click on the links above to download video files to your computer.

Thanks to the generosity of the rights holders, we are able to offer this clip in an embeddable format for personal or non-commercial educational use in full form on your own website or your own blog.

You must read and agree to the following terms and conditions before embedding the clip:

australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

Copy and paste the following code into your own web page to embed this clip: