Australian
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an NFSA website

Mad Bastards (2011)

play May contain names, images or voices of deceased Aboriginal and Torres Strait Islander people
Coarse language – low ; Violence – low
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clip Alcohol, violence and a pathway forward

Original classification rating: MA. This clip chosen to be PG

Clip description

Local policeman Texas (Greg Tait) kicks off the first men’s group meeting in his small town in the Kimberley. Meanwhile in the city, TJ (Dean Daley-Jones) is at a pub. He tries ringing his son, Bullet, in the Kimberley but no one hears the phone over the noise of a party. TJ meets some ex-cons at the pub and plays pool, and tension starts to build up in the bar. Back at the house where Bullet lives with his mother Nella (Ngaire Pigram), the party is over. Nella yells out from inside the house after a man attacks her. Bullet and another boy run away from the house.

Curator’s notes

This clip shows the healing power of the men’s group as a potential pathway forward for the ‘mad bastards’ of the film. It’s contrasted with the destructive world of alcohol and violence in which Nella and TJ are both caught up, whether in the country or the city.

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australianscreen is produced by the National Film and Sound Archive. By using the website you agree to comply with the terms and conditions described elsewhere on this site. The NFSA may amend the 'Conditions of Use’ from time to time without notice.

All materials on the site, including but not limited to text, video clips, audio clips, designs, logos, illustrations and still images, are protected by the Copyright Laws of Australia and international conventions.

When you access australianscreen you agree that:

  • You may retrieve materials for information only.
  • You may download materials for your personal use or for non-commercial educational purposes, but you must not publish them elsewhere or redistribute clips in any way.
  • You may embed the clip for non-commercial educational purposes including for use on a school intranet site or a school resource catalogue.
  • The National Film and Sound Archive’s permission must be sought to amend any information in the materials, unless otherwise stated in notices throughout the Site.

All other rights reserved.

ANY UNAUTHORISED USE OF MATERIAL ON THIS SITE MAY RESULT IN CIVIL AND CRIMINAL LIABILITY.

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