A new prisoner refuses to submit to frequent bashings by prison officers in the notorious H Division of Pentridge prison in Melbourne.
Evil Angels 1988
Evil Angels is a highlight of ‘80s Australian cinema but did not perform as well locally as it deserved, perhaps because it presents the dark side of the easygoing ‘g’day mate’ nation.
A reconstruction of Ken G Hall’s composite film about the destruction of the German warship Emden in November 1914.
The Eye of the Storm 2011
The expatriate, grown children of an ill Sydney matriarch return to her bedside with more than love on their minds.
Face to Face 2011
A group of colleagues meet to decide the fate of a sacked co-worker facing jail.
The Far Paradise 1928
Despite their love for each other, family loyalties keep Cherry Carson and Peter Lawton apart until Cherry learns the truth about her father’s past.
Fatal Bond 1991
Fans of iconic 1960s cars will be able to see a Valiant S series take on a Citroen Goddess in the final scenes.
The Final Winter 2007
Matt Nable drew on his rugby league career to write the script but it was his natural skill as an actor that scored him a Hollywood gig.
The Finished People 2003
This ultra-low budget feature cuts between three stories of disadvantaged young people struggling to survive on the streets of Cabramatta.
The FJ Holden 1977
When The FJ Holden premiered at the Chullora Drive-in in 1977, anyone driving an FJ or FX Holden got in free.
In 1965 a rebellious private schoolboy finds his romantic soulmate in an African pupil from the neighbouring girls’ school.
Floating Life 1996
Being a new migrant is portrayed with amazing freshness, perhaps because the film’s key creators had not been in Australia for long.
Footy Legends 2006
Anh Do, best known as a stand-up comedian, gives a heartbreakingly real performance as a man of limited education trying to keep his family together, and get back into the economic mainstream.
War melodrama about two brothers in 1915: one joins the navy, the other discovers a German spy ring in Australia and is saved after the Sydney batters the Emden.
The use of locations, particularly Port Arthur, is probably the film’s strongest asset, lending both veracity and visual impact. The other real strength of the film is its confident use of special effects.
Chauvel introduced a very young and fresh-faced Chips Rafferty, who modelled his performance in part on the comical digger created by Pat Hanna in Diggers (1931).
A vivacious young mother is married to a violent man. Her desperate need for love leads her to some tragically inappropriate choices.
The Fringe Dwellers 1986
This film has an Aboriginal ensemble cast, but a narrative based on a Western woman’s experience of an Aboriginal community.
Gallipoli remains one of the most loved of all Australian films. It’s one of Weir’s most nakedly emotional films and one of his most poetic.
The affair between two school girls was only hinted at in Henry Handel Richardson’s 1910 novel, but lesbian overtones are obvious in the film.
Gettin’ Square 2003
David Wenham’s performance as a hopeless junkie, especially when he bamboozles everyone in court, is a comic tour-de-force.
The Goddess of 1967 2000
The Goddess of 1967 is a love story that’s made more powerful by its ambiguity and its lack of conventional storytelling.
Going Down 1983
Four women friends leave behind the feral days of youth after a night of uncontrolled excess in inner-city Sydney during the early 1980s.
The Golden Cage 1975
Murat and Ayhan are Turkish migrants living in Sydney. Ayhan falls in love with Sarah, but religious and cultural differences create problems.
The not uncommon notion of this film is that the isolation felt in the outback can be fatal, especially for the young and seemingly innocent.
Gone to the Dogs 1939
The second comedy that George Wallace made with Cinesound features a musical interlude with dogs, children, dancing girls and backing singers on bicycles!
Goodbye Paradise 1981
This evocative picture of the Gold Coast as paradise lost includes a gaudy, sleazy fun park, tawdry politics and busloads of old ladies singing.
Grandad Rudd 1935
Some of the comical sketches are old-fashioned while others are beautifully designed to get audiences laughing during the Depression.
A lonely, philosophical monster ruminates on the stupidity of men, whose heads he occasionally devours.
Grievous Bodily Harm 1988
Movie critic David Stratton described Grievous Bodily Harm as 'one of the most satisfying thrillers made in Australia’.
Happy Feet 2006
Filmmakers spent two months in Antarctica photographing landscapes and fauna to make this animated film look photoreal.
The Hard Word 2002
The Hard Word is both a comical crime fable and a story of brotherly love, an unusual mix of elements.
Smoothly directed in widescreen, Harlequin is one of the more polished Australian films of its day and a notch above the ordinary genre film.
Harmony Row 1933
George Wallace’s talent for physical comedy is fully evident in the boxing match which serves as the film’s climax.
The Hayseeds 1933
This is the seventh and last film about a comical rural family known as the Hayseeds — it is also the first with sound.
Head On 1998
In terms of iconoclastic daring, Head On has no equal in Australian cinema. It broke so many rules, offended so many polite conventions, attacked so many silences, that it left audiences stunned and gulping for air.
An architect and an activist from opposing sides unite against a crooked developer.
An aspiring writer moves between share households in Brisbane, Melbourne and Sydney.
Here I Am 2011
A young woman attempts to reconnect with her mother and daughter after her release from prison.
Heritage is a thunderous piece of endorsement for the pioneer mythology of Australia, made by the prolific Charles Chauvel.
Hero is the first surviving feature film depiction of Australian troops of the First World War and includes images of a real army camp and real soldiers, in training at Liverpool, NSW.
Esther hates conformity but also needs to be part of a group, and it is this contradiction that gives the character complexity.
High Tide 1987
Judy Davis makes her deeply flawed character compelling and, without her in the role, audiences may have rejected the character.
His Royal Highness 1932
The performance of George Wallace, star and writer, is a road map of comic techniques from the passing vaudeville era.
Holy Smoke 1999
Ruth Barron falls under the spell of a guru while visiting India. Her desperate family hires cult deprogrammer PJ Waters to confront Ruth.
The film succeeds on the basis of uniformly superb performances. Joan Chen’s Rose is a tour de force, perhaps the best role of an already distinguished international career.
Idiot Box 1996
Idiot Box argues that bored men who spend years watching television, desire catharsis on a theatrical scale.
Il Contratto 1953
In 1950s Melbourne, four recent Italian migrants eager for work to pay off their debts finally find employment on a rural farm near the city.
In a Savage Land 1999
Evelyn’s misadventures in the Trobriand Islands are in the foreground of this exploration of racism, colonialism and voyeurism set during the Second World War.
Strange things are happening around the remote homestead of Raven’s Gate.