Australian
Screen

an NFSA website

All feature films

342 titles - sorted alphabetically or by year prev 1 2 3 4 5 6 7 next

E (continued)

Eureka Stockade 1949

In 1854, miners in the Ballarat goldfields take up arms against government troops in a defining moment of Australian history.

Everynight… Everynight 1994

A new prisoner refuses to submit to frequent bashings by prison officers in the notorious H Division of Pentridge prison in Melbourne.

Evil Angels 1988

Evil Angels is a highlight of ‘80s Australian cinema but did not perform as well locally as it deserved, perhaps because it presents the dark side of the easygoing ‘g’day mate’ nation.

The Exploits of the Emden 1928

A reconstruction of Ken G Hall’s composite film about the destruction of the German warship Emden in November 1914.

The Eye of the Storm 2011

The expatriate, grown children of an ill Sydney matriarch return to her bedside with more than love on their minds.

F

Face to Face 2011

A group of colleagues meet to decide the fate of a sacked co-worker facing jail.

The Far Paradise 1928

Despite their love for each other, family loyalties keep Cherry Carson and Peter Lawton apart until Cherry learns the truth about her father’s past.

Fatal Bond 1991

Fans of iconic 1960s cars will be able to see a Valiant S series take on a Citroen Goddess in the final scenes.

Father 1989

Elderly widower Joseph Mueller is accused of being a war criminal by Holocaust survivor Iya Zetnick.

The Final Winter 2007

Matt Nable drew on his rugby league career to write the script but it was his natural skill as an actor that scored him a Hollywood gig.

The Finished People 2003

This ultra-low budget feature cuts between three stories of disadvantaged young people struggling to survive on the streets of Cabramatta.

The FJ Holden 1977

When The FJ Holden premiered at the Chullora Drive-in in 1977, anyone driving an FJ or FX Holden got in free.

Flirting 1990

In 1965 a rebellious private schoolboy finds his romantic soulmate in an African pupil from the neighbouring girls’ school.

Floating Life 1996

Being a new migrant is portrayed with amazing freshness, perhaps because the film’s key creators had not been in Australia for long.

Footy Legends 2006

Anh Do, best known as a stand-up comedian, gives a heartbreakingly real performance as a man of limited education trying to keep his family together, and get back into the economic mainstream.

For the Honour of Australia 1916

War melodrama about two brothers in 1915: one joins the navy, the other discovers a German spy ring in Australia and is saved after the Sydney batters the Emden.

For the Term of His Natural Life 1927

The use of locations, particularly Port Arthur, is probably the film’s strongest asset, lending both veracity and visual impact. The other real strength of the film is its confident use of special effects.

Forty Thousand Horsemen 1940

Chauvel introduced a very young and fresh-faced Chips Rafferty, who modelled his performance in part on the comical digger created by Pat Hanna in Diggers (1931).

Fran 1985

A vivacious young mother is married to a violent man. Her desperate need for love leads her to some tragically inappropriate choices.

The Fringe Dwellers 1986

This film has an Aboriginal ensemble cast, but a narrative based on a Western woman’s experience of an Aboriginal community.

G

Gallipoli 1981

Gallipoli remains one of the most loved of all Australian films. It’s one of Weir’s most nakedly emotional films and one of his most poetic.

The Getting of Wisdom 1978

The affair between two school girls was only hinted at in Henry Handel Richardson’s 1910 novel, but lesbian overtones are obvious in the film.

Gettin’ Square 2003

David Wenham’s performance as a hopeless junkie, especially when he bamboozles everyone in court, is a comic tour-de-force.

The Goddess of 1967 2000

The Goddess of 1967 is a love story that’s made more powerful by its ambiguity and its lack of conventional storytelling.

Going Down 1983

Four women friends leave behind the feral days of youth after a night of uncontrolled excess in inner-city Sydney during the early 1980s.

The Golden Cage 1975

Murat and Ayhan are Turkish migrants living in Sydney. Ayhan falls in love with Sarah, but religious and cultural differences create problems.

Gone 2007

The not uncommon notion of this film is that the isolation felt in the outback can be fatal, especially for the young and seemingly innocent.

Gone to the Dogs 1939

The second comedy that George Wallace made with Cinesound features a musical interlude with dogs, children, dancing girls and backing singers on bicycles!

Goodbye Paradise 1981

This evocative picture of the Gold Coast as paradise lost includes a gaudy, sleazy fun park, tawdry politics and busloads of old ladies singing.

Grandad Rudd 1935

Some of the comical sketches are old-fashioned while others are beautifully designed to get audiences laughing during the Depression.

Grendel Grendel Grendel 1980

A lonely, philosophical monster ruminates on the stupidity of men, whose heads he occasionally devours.

Grievous Bodily Harm 1988

Movie critic David Stratton described Grievous Bodily Harm as 'one of the most satisfying thrillers made in Australia’.

H

Happy Feet 2006

Filmmakers spent two months in Antarctica photographing landscapes and fauna to make this animated film look photoreal.

The Hard Word 2002

The Hard Word is both a comical crime fable and a story of brotherly love, an unusual mix of elements.

Harlequin 1980

Smoothly directed in widescreen, Harlequin is one of the more polished Australian films of its day and a notch above the ordinary genre film.

Harmony Row 1933

George Wallace’s talent for physical comedy is fully evident in the boxing match which serves as the film’s climax.

The Hayseeds 1933

This is the seventh and last film about a comical rural family known as the Hayseeds — it is also the first with sound.

Head On 1998

In terms of iconoclastic daring, Head On has no equal in Australian cinema. It broke so many rules, offended so many polite conventions, attacked so many silences, that it left audiences stunned and gulping for air.

Heatwave 1982

An architect and an activist from opposing sides unite against a crooked developer.

He Died with a Felafel in His Hand 2001

An aspiring writer moves between share households in Brisbane, Melbourne and Sydney.

Here I Am 2011

A young woman attempts to reconnect with her mother and daughter after her release from prison.

Heritage 1935

Heritage is a thunderous piece of endorsement for the pioneer mythology of Australia, made by the prolific Charles Chauvel.

The Hero of the Dardanelles 1915

Hero is the first surviving feature film depiction of Australian troops of the First World War and includes images of a real army camp and real soldiers, in training at Liverpool, NSW.

Hey Hey It’s Esther Blueburger 2007

Esther hates conformity but also needs to be part of a group, and it is this contradiction that gives the character complexity.

High Tide 1987

Judy Davis makes her deeply flawed character compelling and, without her in the role, audiences may have rejected the character.

His Royal Highness 1932

The performance of George Wallace, star and writer, is a road map of comic techniques from the passing vaudeville era.

Holy Smoke 1999

Ruth Barron falls under the spell of a guru while visiting India. Her desperate family hires cult deprogrammer PJ Waters to confront Ruth.

The Home Song Stories 2007

The film succeeds on the basis of uniformly superb performances. Joan Chen’s Rose is a tour de force, perhaps the best role of an already distinguished international career.

I

Idiot Box 1996

Idiot Box argues that bored men who spend years watching television, desire catharsis on a theatrical scale.

Il Contratto 1953

In 1950s Melbourne, four recent Italian migrants eager for work to pay off their debts finally find employment on a rural farm near the city.

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